Roman Decorated Votive Lead Mirror

Comprising: bird plate brooch with hinged pin and catch to the reverse; running hare plate brooch with recessed body to accept enamel fill, pin and catch to the reverse. 18.8 grams, 46-58 mm



Ex UK art market. Property of a Scottish collector, acquired in 2013.

Clad in a symmetrically incised late Roman toga, which was originally painted; the right hand covered by the robe and resting against his chest, the now lost left hand probably held a rank symbol or a scroll; short hair, cut according to the style of the Tetrarchy, wide eyes and pronounced lips; beard extended under the chin and on the throat; crepida sandal of Greek typology still visible on the right foot. 700+ kg, 206 cm including base

Fine condition. An impressive museum-quality display piece.

From the C.M. collection, Switzerland. Formerly the property of his father, H.V.C., Munich, Germany; forming a central part of the H.V.C. family collection in the 1980s. Acquired from the private collection of L.H. of Munich, Germany, in 1982. Accompanied by a copy of a German cultural export licence. Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by a geological report No. TL3253 by geology consultant Dr R. L. Bonewitz. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12089-211955.

This statue of a Roman magistrate represents a high-ranking citizen with political and ritual responsibilities. The stylised facial features date it to the period of the Tetrachy under the Emperor Diocletian (284-305 A.D.), when representation of the human form began to show a concern for geometry and symmetry. A similar style can be seen in official portraits of Diocletian, Galerius, Constantinus Chlorus, and Maximianus Herculius. Despite the stylisation typical of the era, however, the sculptor of this lot has taken pains to add personal details, such as the dimpled chin and creased forehead. Its powerful resemblance to Imperial portraiture stems from the desire of magistrates to emulate emperors in the way they represented themselves. This is a piece of outstanding quality, and unlike other Late Roman sculptures, in which a portrait head is often attached to an earlier body, it appears to have been created as a whole. It shows exceptional attention to detail, including in the magistrate’s beautifully carved footwear. It is likely to represent an official of an Eastern Empire city, either in Greece or Illyria.

Parcel-gilt crossbow brooch with onion-shaped knops to the ends of the headplate and medially along the top edge; deep trapezoidal-section bow with median gusset; D-section footplate with chamfered sides open to one edge; upper part of one face of the bow with niello-filled running scroll design, lower part of the other face with running guilloche; beaded wire collar at the end. 14.6 grams, 46 mm



Ex N.C. collection. Acquired on the Swiss art market in 2000. European private collection.

Crossbow fibulae of this type were worn by high officers and, if in gold, even emperors, from Constantine to Justinian, as symbols of military rank. These fibulae are an important element in the graves, for the classification of the category of the dead, as belonging to the militia (armed or not); many of them were in gold, or gilded silver, and decorated with an inscription.