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_900x900.jpg "Roman Chrome Chalcedony Gemstone of Gryllus")
_200x200.jpg "Roman Chrome Chalcedony Gemstone of Gryllus")
.jpg "Roman Chrome Chalcedony Gemstone of Gryllus")
LOT 0089
Roman Chrome Chalcedony Gemstone of Gryllus
1ST CENTURY A.D.
3/8 in. (0.31 grams, 9 mm).
With intaglio composite profile bust of a helmetted female (possibly depicting Minerva) facing left, and two other heads, one emerging from the helmet and the other beneath the neck; supplied with a museum-quality impression.
ProvenancePrivate English collection, formed between the late 1970s and early 1990s.
Private collection, London, UK.
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AUCTIONS:
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LOT 0089
Roman Chrome Chalcedony Gemstone of Gryllus
Sold for (Inc. bp): £910
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Roman Bronze Double Horse-Headed Brooch
2nd century A.D.Sold for (Inc. bp): £143
Skeuomorphic type with openwork crescent to the foot, transverse ribbed panel and two swept arms developing to addorsed horse-heads; ferrous pin and catch to the reverse. 6.95 grams, 42 mm
Ex DRG Coins and Antiquities, Bishops Stortford, Essex, UK. From the private collection of a West London, UK, gentleman, formed since the early 2000s. Accompanied by a handwritten dealer's ticket. -
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Roman Gemstone Collection
2nd-3rd century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Including profile bust, standing figure and other types; each supplied with a museum-quality impression. 3.89 grams total, 9-14 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Roman Sapphire Gemstone of Bacchus
1st century B.C.Sold for (Inc. bp): £2,860
With intaglio profile bust of the god Bacchus facing left; supplied with a museum-quality impression. 1.41 grams, 12 mm
Private English collection, formed between the late 1970s and early 1990s. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12952-246460.
During and after the Alexandrine period, the character of Greek gems changed considerably: the type of figure became softer and more feminine in beauty, Homeric scenes were no longer represented, and deities such as Apollo, Aphrodite or Dionysus, with subjects relating to the theatre or musical contests, became the favourite motifs for representation.
