Roman Carnelian Gemstone with Theatre Masks

Comprising two matching solid hoops with expanding shoulders, each set with a dark blue nicolo intaglio, one bearing a profile bust of a young Hercules, and the other with a profile bust of a woman wearing a taenia or a wreath on her head. 12.83 grams total, 20.25 mm overall, 15.50 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4) 20.86 mm overall, 16.35 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied from an archaeological report of Dr. Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12006-213034.

The iconography here is simple, possibly referring to a married couple, or to important public persons. The 5th century Roman writer Macrobius wrote that the engagement ring was worn on the fourth finger. Legend has it that the vena amoris, literally the ‘vein of love’, ran from the heart to the fourth finger of the left hand. Gemstones and fancy embellishments have been found in Roman rings of every age, although usually for engagement or wedding rings the iconography of clasped hands, symbolising the ‘fides’ among the spouses, was used. Intaglio portraits were engraved into a large variety of stones but nicolo, carnelian and red jasper were generally the most popular for imperial portraits or for the members of the imperial family.

Greenish-light blue glass, long and narrow body, splayed rim. 7.72 grams, 88 mm high



Acquired 1980-2015. Ex Abelita family collection.

During the early Roman period the glass-making techniques used by the Greeks were continued. Much of the glass was buried and as a result acquired an attractive lustrous patination. Roman glass became a medium for the promotion of the emperor and imperial propaganda, as well as being used as containers for various uses. Glass blowing, a new technique, meant that quantities of identical bottles could be produced.

With a hollow-form hoop expanding at the shoulders, raised bezel set with a dark blue nicolo intaglio engraved with a pair of birds, one standing and the other stooped to pick something from the ground with its beak. 5.75 grams, 25.12 mm overall, 14.69 x 18.30 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



From the collection of late AB, London, UK, 1990s. Accompanied by a previous catalogue information slip.

The type of ring (type II, variant I of Ruseva-Slokoska classification) is characterised by the ellipsoid hoop, rounded on the outside, widening to a horizontal triangular shape. The nicolo was often employed in rings of the 2nd-3rd century A.D.