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LOT 0808
Roman Buffware Oil Lamp with Seahorse
CIRCA 3RD-4TH CENTURY A.D.
3 in. (57 grams, 76 mm).
Mould made with a solid round unpierced handle, broad horizontal shoulder separated from the discus by a shallow circular groove; upper filling-hole over the central part of the discus decorated by a seahorse leaping to the left, surrounded by volutes; slightly raised rounded nozzle, base-ring marked with two circular grooves. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Lighfoot, C.S., The Cesnola collection of Cypriot Art - Terracotta Oil Lamps, cat.221, p.173, for the type.
FootnotesThe depiction of various animals is common on Roman lamps, appearing just as frequently as they do elsewhere in Roman art. Animals formed part of the decorative and symbolic schemes on monumental and funerary sculpture, frescoes and mosaics. The hippocampus symbolised water, power, bravery, and helpfulness. It was also defined as a symbol of hope, strength, and agility because of its ability to help people. This popular sea creature was connected with imagination and creativity and also associated with the god of the sea, Poseidon.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Roman 'Upchurch' Greyware Storage Jar
2nd century A.D.Sold for (Inc. bp): £845
With everted rim and decorative geometric band to the shoulder. 1.98 kg, 28 cm wide
Found Upchurch Marshes, Kent, UK, in the 1980s. Ex Winter Collection, Kent, UK.
The Roman pottery kilns on what are now the tidal marshes at Upchurch, Kent, are justly famed as a thriving pottery production area with many kiln and related sites. The London clay in this area is of fine quality and was thus suitable for pottery making. With the rise in the sea level, the area is now mostly inundated and, as tidal forces erode the silts, pottery (often 'seconds'), is sometimes exposed. The soft muds and general inaccessibility of the area make collection difficult. -
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Roman Lead Coffin Fragment with Sphinx, Medusa and Dolphins
2nd-3rd century A.DSold for (Inc. bp): £3,380
Decorated with a high-relief pattern comprising sphinxes surrounded by dolphins and masks of Medusa surrounded by laurel leaves all between Corinthian columns; ropework and floral border strips with laurel leaves above; lip below the upper edge. 20.1 kg, 101.5 cm
Acquired 1970s-early 1990s. Property of a North American collector. London collection, 2016.
This item belongs to types widespread in the Eastern Mediterranean. The panel is decorated with a columned structure, and within each section are symbols of the outer-world, including gorgons, sphinx and dolphins. The sphinx, having a human head and breasts, legs and paws of a lion, and wings of a bird, was generally associated with protecting imperial tombs and temples. The roundels featuring the head of Medusa, known for her potent gazes that could turn one to stone, was favoured on sarcophagi and architectural ornaments because it was believed that her image would protect those within. The dolphin was considered to ferry the souls of the dead to the afterlife. -
Roman Bronze Decorated Bracelet
1st-3rd century A.D.Sold for (Inc. bp): £72
Composed of a D-section hoop, flattened terminals with rounded ends decorated with horizontal rows of shallow dots and quatrefoils between parallel tracks. 17 grams, 53 mm wide
German art market, 1990s. Mr A.H., a North American collector living in the UK.
