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LOT 0944
Roman Buffware Oil Lamp with Gladiator
2ND CENTURY A.D.
4 1/8 in. (97 grams, 10.5 cm).
Mould made, solid round handle with two circles, flat shoulder with a shallow row of ovolo motifs, separated from the discus by two shallow circular grooves; side central filling-hole and small air hole on the lower field of discus, decorated with a gladiator raising his right hand; heart-shaped nozzle, base-ring marked by radiating lines. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
See Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, nos.360 and ff., p.254ff., especially nos.371-372.
FootnotesThe lamp seems to belong to the Bussiere form DX1, maybe variant a and c. This form groups together lamps with a plain shoulder and a heart-shaped nozzle. In an early variant, D IX 1, the upper curves of the ‘heart’ are nearly on a horizontal level. This is the case for all the African and Italic examples in the Getty collection. Scenes of circus and gladiators are very popular.
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AUCTIONS:
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Roman Bronze Chariot Fitting of a Celtic Prisoner
2nd-3rd century A.D.Sold for (Inc. bp): £1,300
Bust and torso of an indigenous nobleman modelled in the round; with rounded facial features, the shoulder-length hair dressed in hanks and cut into tiers, centre-parted and framing the face; the eyes exaggerated, probably originally emphasised with sheet-silver detailing; the broad chest smooth with ring-and-dot nipples; a thick collar or torc sitting high on the collar-bone, with braided detailing and finished with a D-shaped pendant; each upper-arm supported by a barley-twist column with cup finial and stylised flames above; the centre supported by a rectangular block with incised herringbone linear pattern interspersed with pointillé pellets; the base broad and gently curved away from the figure, with a lattice of bilinear panels bearing groups of three ring-and-dot motifs, D-shaped loop to the forward edge flanked by smaller lobes; the reverse plain, the head hollow with remains of a thick loop at the lower edge of the hair; significant iron deposits to surface from its deposition environment; of provincial Roman workmanship. 461 grams, 13 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Its construction with a central block flanked by two short pillars (i.e. leaving two slots) suggests that the piece may have been intended as a rein-guide for a chariot, whereby the leather or fabric straps would pass through the two apertures and, by their separation, be prevented from tangling. Bronze figural busts are known from Gallo-Roman contexts: they are usually female and interpreted as tutelae or protective tribal spirits (Boucher & Tassinari, 1976, items 62-4). The present example is evidently designed to impress the viewer with its portrayal of the 'noble barbarian' as a suitable conveyor of martial splendour (Boucher & Tassinari, 1976, item 321). The impressive figure recalls the famed statue 'The Dying Gaul' in the Capitoline Museum, Rome, showing a 'barbarian' warrior with a neck torc, thick hair and moustache, discarded weapons and shield carved on the ground and a carnyx trumpet between his legs. The statue is a copy of a Hellenistic original celebrating a Greek victory over the Galatians. -
Large Roman Terracotta Jug
1st-4th century A.D.Sold for (Inc. bp): £78
With broad mouth, flared rim and loop handle to the shoulder. 1.4 kg, 24.5 cm high
Acquired 1980-2015. Ex Abelita family collection. -
Roman Bronze Artefact Group
Circa 3rd century A.D.Sold for (Inc. bp): £195
Comprising: two seriffed capital letters 'F' and 'E' (from utere felix inscription); seal box with repoussé image of Victory. 10 grams total, 21-37 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.