Roman Bronze Votive Gladius Sword Pendant

An attractive rectangular panel of mosaic tesserae with central ribbed kantharos executed in coral pink, amber-yellow, and green segments with tiered foot; issuing from the scaphoid opening two vines with curled tendrils and trefoil leaves in pale green; white field with grey-black border; restored and set into a mid 20th century reinforced mortar matrix. 56 kg, 67.5 x 67.5 cm



Acquired in the 1950s-early 1990s. From the Igor Karmiloff (1925-2016) collection, UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12746-233888. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The motif of the kantharos, krater or amphora with vines emerging from the mouth is widely represented in classical art and was seemingly a popular motif for the mosaicist with examples found in areas as widespread as North Africa and northern Britain. The origins of the motif are probably to be found in the cult of Bacchus (Greek Dionysos) with its ritualised drunkenness expressed in the vine which gives rise to the grapes to be transformed into wine, and the drinking cup from which it is received. In later Roman times, the motif was reinterpreted as Christ (the Eucharist symbolised by the cup) from whom the vine grows representing the spread of the Christian message and the growth of the church (Watts, 1991, p.208).

Comprising a flat-section hoop, oval bezel set with a carnelian intaglio bearing an image of a standing eagle, applied filigree collar around the bezel. 4.01 grams, 23.48 mm overall, 22.37 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

A substantial hollow-form ring with a hexagonal plaque to the base of the hoop, expanding shoulders with a low-relief image of a standing nude goddess; raised oval bezel with an applied repoussé disc of a warship to each end; applied bezel with a chiselled image of god of the sea Neptune facing right, depicted with thick, lustrous beard and hair, the hair tied with a thin ribbon. 7.40 grams, 37.31 mm overall, 22.71 x 27.56 mm internal diameter (approximate size British Z+3, USA 13 3/4, Europe 32.57, Japan 31)



Ex Angelopolo collection, Vienna. Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12571-232087. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The ring carries a rare combination of the god Neptune (Greek Poseidon) with two warships. This can only mean that it belonged to a navarcha, a commander of a fleet or a warship. In the turbulent era of the civil wars that followed the death of Caesar, important naval conflicts sealed the fate of the Roman Res Publica. Sextus Pompeius, son of the great Pompey, was able to build a naval power in the South of the Italian Peninsula, especially in Sicily, adopting the image of the god Neptune who - with an image very similar to that of our ring - was represented on the coins he minted, together with naval triumphs and warships. The ships depicted on the ring belong to the Liburna type, protagonist of the famous battle of Actium in 31 B.C. They were smaller and faster ships, armed with 82 oars disposed upon two orders, about 33 meters long, with 114 oarsmen, 10-15 sailors, and 40 marines. The hull-design of the Liburna with a pointed, streamlined prow built for speed, as well as the ram (rostrum), is here fully detailed.