Roman Bronze Steelyard Balance

Standing contrapposto with his weight on his right leg and the left leg brought slightly forward; the musculature of the torso displaying well-defined pectoral muscles, prominent abdominal muscles and wide shoulders, the back with equally toned musculature and well-formed rounded buttocks; the veining of the marble accentuating the idealised anatomy; the now-absent head was most probably turned towards the supporting leg and the left arm would have been raised; mounted on a custom-made display stand. 42.95 kg total, 64 cm high including stand



Formerly in a French private collection in Compiègne, since the 1960s. Acquired from Galerie Chenel, 2015. Accompanied by a copy of a French cultural passport no.166817. Accompanied by an academic report by Dr Laura Maria Vigna.

The model of the sculpture recalls the Polykleitian tradition. In particular, the tension of the muscles of the athletic body recalls the Doryphoros of Polykleitos, a famous bronze sculpture erected in Argos in around 450-440 B.C., as evidenced by a stele found there. The statue represented a hero, perhaps Achilles, or a winning athlete. Many Hellenistic and Roman copies of this sculpture are preserved, most notably in marble. These include the Tiberian-era Doryphoros in the National Museum of Naples, from Pompeii, the nude male statue, a copy of the Doryphoros of Polykleitos, in the Doria Pamphilj Collection, dated to the end of the 1st century A.D. The raised left shoulder is reminiscent of the Diadumenos, a work by the same artist made in Argos in around 430-420 B.C., depicting an athlete girding his head with ribbons or fillets, a symbol of victory, known from many copies. The Polykleitos original and the subsequent copies were enormously popular and became canonical representations of physical perfection and refinement.

Cuboid and rectangular types with impressed point markings irregularly disposed 1:4, 3:6, 3:5; 1:2, 3:5, 4:6; 2:2, 5:5, 3:6. 79 grams total, 14-17 mm



From the important private collection of dice and gaming pieces of Colin Narbeth, London, UK, collection no.27.

The banded glass imitating banded agate; intaglio scene composed of a crowned figure standing right, holding a cornucopia and wreath, an eagle standing beside. 2.61 grams, 19 mm



From an early 20th century collection, Caernarfon, North Wales, UK.

The gem appears to represent Zeus with a cornucopia on his right arm and a crown in his left hand, with the eagle, his symbol, at his feet. The eagle has its head turned back, and stands looking up towards him.