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LOT 0898
Roman Bronze Statue of Mars Gradivus
2ND CENTURY B.C.
5 1/4 in. (278 grams, 13.5 cm high).
Modelled in the round as a young beardless warrior hero with muscular body and rounded shoulders; wearing a high-crested pseudo-Attic helmet with a diadem; the hair arranged in orderly locks over his brow; the bent left hand would originally have held a shield and the extended right hand a spear.
ProvenanceEx collection of Dr Djafari (1900-1981), Kaiserslautern, Germany.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11812-206498.
Cf. Reinach, S., Repertoire de la statuarie Grecque et Romaine, Paris, 1930, pp.180 and 183, nos.7 (Louvre) and 2 (type B. Kerguerriec. Coll.P. du Chatellier in Kernuz), for similar.
FootnotesThis statue of Mars Gradivus, the marching god of war, was probably a cult offering. The statuette still presents an archaic Etruscan hairstyle, being part of the Italic statuettes of the god produced as votive offering to the temples or for private lararia. A Gallo-Roman period temple dedicated to the cult of Mars with a similar statuette has recently been found in Brittany.
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AUCTIONS:
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Opening Bid: £60
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Roman Blue Glass Flask with Trail
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Opening Bid: £250
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Roman Gilt Bronze Phalera with Theseus and the Minotaur
2nd century B.C.- 2nd century A.D.Sold for (Inc. bp): £182
Domed roundel with high-relief design of combat between a bearded hero and a monster, wreath and rosettes to the rim. 32 grams, 49 mm
Found near Sedgeford, Norfolk, UK, in the 1980s. Acquired in the late 1990s. Property of a Norfolk, UK, collector.
According to the legend, Theseus, prince of Athens, went to the island of Crete to kill a monster who was the son of queen Pasiphae and a wild bull, although officially he was the son of Minos and Pasiphae. Theseus chased him into the labyrinth, killed him and found his way out with the help of the comb of Ariadne, daughter of King Minos. The myth has its representation in the Archaic, Classical and Hellenistic period, and was widely depicted in the Graeco-Roman world. The present repoussé appliqué was probably used as a furniture or horse harness ornament.