Roman Bronze ROMA Openwork Brooch

Modelled in the round as a standing eagle with its wings spread, the overlapping wingtips covering the short tail; incised feather detailing to the body and wings, wide head with detailed eyes, remains of a military insignia (a victory wreath or fish?) held in its hooked beak; mounted on a custom-made display stand. 180 grams total, 76 mm high including stand



Found Kempsey, Malvern Hills, Worcestershire, UK. Accompanied by a copy of the British Museum's Portable Antiquities Scheme (PAS) report no.WAW-19C7C8. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Both Ovid and Plutarch place the inception of manipular ensigns with Romulus, where bundles (manipuli) of hay were tied to high poles which served as rallying points for units of the army. Eventually, icons of animals replaced these ensigns: the eagle, wolf, Minotaur, horse, and boar. In 107 B.C., Gaius Marius made sweeping military reforms and the Aquila became the sole standard of the legion, which according to (Pliny NH. 10.5.16) ‘By making the Aquila the standard for all legions improved unity and gave soldiers a symbol that expressed their attachment to an all-encompassing body, to which the soldiers’ loyalty could be directed’. Due to its place at the head of each legion, it became the emblem of the Roman legions, which enforced Roman rule in the provinces, giving the eagle its connotation of dominion.

Round-section stem with balustered finial and rectangular plaque to the other end, shallow round bowl. 20.6 grams, 12.9 cm



Private collection, Switzerland, 1992. Thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Egyptizing intaglio representing the myth of Osiris, with the mummy of the god resting above the snake Ouroboros and surmounted by his son, the falcon god Horus, a star above. 1.31 grams, 17 mm



Giorgio Sangiorgi (1886-1965), Rome, acquired and brought to Switzerland, late 1930s; thence by continuous descent to the current owner. with Christie's Ancient Jewellery, New York, 6 December 2007, no.338. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12582-232140. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The image of Ouroboros (a snake eating its own tail) is usually associated with stars and Egyptian mythology as represented in Roman gnostic intaglios. Ouroboros is continuously re-birthing itself and depicted as a circle, representing eternity and the cyclical nature of things that start once they end. It is also the symbol of duality and dualising power.