Roman Bronze Ring with Sol Invictus

Modelled in the round with stylised wing, tail and eye detailing, notched tuft to head, standing on a discoid base with tapering square-section lug below. 80 grams, 95 mm high



From the collection of an EU gentleman formed in the early 2000s. Acquired on the UK market.

Displaying a figural scene in relief showing the Dioscuri, wearing a crested helmet and raising the right arm in salutation; the bust of Sol wearing a radiate crown and the horned bust of moon surmounted by a crescent, border to the perimeter representing two snakes; the inner border with seven six-pointed stars, a large dolphin-like creature swimming to the right, to the left a group of round objects; to the right of the left hand rider, a three-legged offering table with three candle-sticks; between the sun and the moon a standing female deity dressed in peplos and chiton, facing right with her right arm raised in front of her; behind the moon a bird waddling to left; to the right of the left hand rider, a cockerel; beneath the horse’s hooves two prostrate figures lying face down, head to the right and left, the right figure with the left knee bent in supplication; at the centre, between the two horsemen, a standing female deity in long chiton (Helen of Troy); behind the right horse, a standing male figure facing left with his right hand raised in salutation, wearing a knee length tunica, short boots and a heavy cloak; on the lower margin a small prostrate figure with head to the right, limbs extended, a twin-handled wine cup, a standard surmounted by a lamp, a figure hanging head down from a stunted tree and a lion stalking left. 61 grams, 70 mm



From the collection of a North American gentleman, formed in the 1990s.

The plaque contains a complex iconography of divine figures and symbols, probably associated with Thracian or Dacian beliefs of the Lower Danube region, but also with the Greek myth of the divine twins Castor and Pollux (the Dioscuri), an important element of Roman religion since its origins, here mixed with the cult of the Danubian rider. Presiding over the whole scene is usually the Sol Invictus (the unconquered sun-god) and his sister the Moon (Selene).

Comprising four bed finials, each with a bell-shaped body and baluster style finial; hollow to base. 1.18 kg total, 9.6-10.1 cm



Acquired before 2000. From the collection of a European gentleman living in the UK.

The Romans, like the Greeks, ate whilst reclined on beds. The eating bed (lectus triclinaris) was a luxury furniture item crafted by carpenters. From the 2nd century B.C., Romans started to create 'lecti aerati, inargentati, inaurati, eborati, testudinei,' i.e. beds made of wood and covered with bronze, silver, gold and ivory fittings or with scales of other precious material. Such elements were sometimes sculpted in the shape of an animal protome, or were simply bell-shaped, like our specimens.