Roman Bronze Phallic Pendant

Depicted as a bearded man, seated and naked apart from a hood or cap on his head, with rope binding the hands together and extending around the neck and ankles; pierced vertically at the shoulders; probably a sliding mount for a thong or cord; mounted on a custom-made display stand. 55 grams total, 79 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Statuettes of foreign ‘barbarian’ prisoners of this type have been found along the Danube. Their spread coincides with the Marcomannic wars of the Emperor Marcus Aurelius. The Swabian knot in this warrior’s hair has parallels with the warrior depicted on the contemporary Sarcophagus of Portonaccio, which represents a battle between Romans and Germanic Gauls.

A rare depiction of Flora standing holding a separately cast garland in her left hand, wearing pointed shoes, a long tunica talaris and a himation as a veil over her head, her hair surmounted by a diadem decorated with rosettes and falling in long wavy tresses in front, the pupils of her eyes indented; mounted on a custom-made tiered base. 617 grams total, 25.7 cm high including stand



From an Egyptian family collection, Alexandria and Cairo, acquired in the early part of the 20th century in Egypt and Europe, and transferred from Egypt to northern European family residences in the early 1950s. Northern European private collection, by direct descent from the above in the 1970s. Acquired from the above by the previous owner in 2002. with Sotheby’s, New York, 5 June 2013, no.88. German private collection. Accompanied by copies of the German cultural export licence and copies of the relevant Sotheby’s catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12042-216438.

Statuettes like the present one were used in the service of domestic cults and reflected native Greek or Roman cult practices. The Roman household shrine, or lararium, receives its name from the lares, the guardian spirits of the house and household, who were frequently displayed in the shrine, either in painted or sculpted form.

With an elongated body and a long nozzle with a rounded tip; raised rim enclosing the upper face with an ivy lef-shaped filling hole; wide handle terminating to a female tragic mask with a palmette below the chin, the hair dressed in ringlets with two rows of curls to the brow, eyes inlaid with silver; accompanied by a custom-made display stand. 1.97 kg, 28 cm wide (4.31 kg total, 27.5 cm high including stand)



Old private British collection, pre-1965. Property of a gentleman; acquired in the UK before 2000. Accompanied by a copy of an old black and white photograph and an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12033-215424.

The lamp is of Loeschke type XX (Walters type 6), with many of these lamps made in Italy, but some are also found in the East. The tragic mask appears frequently on lamp handles, probably as an apotropaic subject. The mask was an inseparable element of unity with the past and religious context.