Roman Bronze Phallic Pendant

The god standing nude on an ivy-leaf base in contrapposto pose with right arm extended and hand held palm-outwards; mantle pinned at the right shoulder and wrapped around the bent left arm; the head held erect with soft rounded facial features and luxuriant curls, diadem with radiating spikes representing beams of light; mounting stud to the reverse; mounted on a custom-made display stand. 583 grams total, 17.5 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The cult of Helios-Apollo intensified in the third century A.D. and the adoration of Sol Invictus, with the radiate crown, was often linked to that of Mithras, the god of legions, whose symbol was the bull. Under Emperor Aurelian, the Sol Invictus became the main god, protector of Rome and the Roman state.

Comprising a matched pair of hoop earrings with loop closure, a coiled plaque next to the closure with a decorative pellet; each with a pendant drop with scrolls to each side of the loop, set with two white beads. 6.13 grams total, 48 mm each



Previously in a Japanese collection. From a South coast, UK, collection.

Comprising a square-section tapering body with lateral stub arms; head of Mercury (Greek Hermes) above with applied twisted gold collar, low-relief shoulder panels, genitals modelled in the round, low-relief horned figure below. 27 grams, 52 mm



Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12103-218207.

This object, was likely votive and perhaps belonged to a small domestic altar of the Roman imperial era, reproduced in miniature size a Hermaic pillar. These were terminals made of stone or wood which were often placed on the roads, near crossings; they served to indicate the right path and therefore were supposed to protect travellers when traveling. In Roman times, these pillars were often topped with busts or portraits and were also found in the gardens of wealthy homes; gods (Hermes and Bacchus in particular) or philosophers were the subjects thus represented.