Roman Bronze Padlock Mechanism Plate

From the upper part of a vessel, displaying a frieze of profile images and figural scenes from Graeco-Roman mythology: a musician in late Roman garments playing a harp (Orpheus?), a seated woman weaving with a distaff in her hand (Penelope?), a kneeling naked woman imploring a naked warrior fighting with shield and spear (Achilles and Thetis?). 202 grams, 18 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

This terra sigillata fragment appears to have been part of a large tray. Elements of dying paganism were still used to celebrate the deeds of the new imperial heroes. Note the detailed late Roman clothing of the harpist, with a chlamys-paludamentum on the right shoulder and the tunic decorated with clavi and orbiculi.

Mould made, solid round handle with two circles, flat shoulder with a shallow row of ovolo motifs, separated from the discus by two shallow circular grooves; side central filling-hole and small air hole on the lower field of discus, decorated with a gladiator raising his right hand; heart-shaped nozzle, base-ring marked by radiating lines. 97 grams, 10.5 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The lamp seems to belong to the Bussiere form DX1, maybe variant a and c. This form groups together lamps with a plain shoulder and a heart-shaped nozzle. In an early variant, D IX 1, the upper curves of the ‘heart’ are nearly on a horizontal level. This is the case for all the African and Italic examples in the Getty collection. Scenes of circus and gladiators are very popular.

Fine openwork casting of La Tène trumpets and scrolls with catch to the reverse. 10.5 grams, 38 mm



Ex London collection, 1990s. Acquired on the UK art market. Property of an East London gentleman.