Roman Bronze Mouse Statuette

A trio of artefacts comprising: a Roman copper-alloy coin, likely a sestertius, with worn designs to obverse and reverse, the reverse likely portraying the goddess Minerva leaning on a shield and wearing a helmet; a stone loom weight of conoid form, dated c.100 A.D. and discovered in Egypt; a Roman ceramic oil lamp dated c.500 A.D., piriform in plan with raised borders to the central opening and nozzle, decorative ribbing to the shoulder, conical handle and basal ring. 150 grams total, 33-92 mm



From an old UK collection. From the private collection of Alf Baxendale (1941-2016) part 2, keen Egyptologist, member of the Egyptology Society, trustee of the Amarna Trust; thence by descent. Accompanied by a copy of his obituary published in Horizon, The Amarna Project and Amarna Trust newsletter, Issue 18, 2017, p.21, by Barry John Kemp, CBE, FBA, Professor Emeritus of Egyptology at the University of Cambridge and directing excavations at Amarna in Egypt.

Including equal-arm, bow brooch fragments, and a Romano-British lion bow brooch similar to the one found at Corbridge (lot 891). 21.1 grams total, 28-42 mm



Property of the vendor's grandfather, thence by family descent, circa 1985. From the private collection of a New York, USA gentleman.

Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)



From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.

Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.