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LOT 0878
Roman Bronze Mount with Dolphin
1ST-3RD CENTURY A.D.
2 7/8 in. (94 grams, 72 mm).
Fragment of a vessel with integral dolphin modelled in the round with hatched fins, pellet eyes, looped tail for attachment of a cord or light chain.
ProvenanceAcquired in Europe in 1990.
European private collection.
Cf. Christie's London, A Peaceable Kingdom: The Leo Mildenberg Collection of Ancient Animals, 26th-27th October, 2004, pp.219-220, for similar.
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AUCTIONS:
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LOT 0878
Roman Bronze Mount with Dolphin
Estimate £180 - 240€210 - 280 (for guidance only)$240 - 320 (for guidance only)
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Roman Terracotta Bowl
2nd-4th century A.D.Sold for (Inc. bp): £46
Broad flat base with low sidewall and everted rim; repaired. 580 grams, 20 cm wide
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Roman Terracotta Roof Tile and Bronze Brooch Fragment Group
1st-4th century A.D.Sold for (Inc. bp): £13
Mixed group of terracotta tile fragments; offered with fragments of bronze bow brooches and other items. 1.08 kg total, 21-98 mm
Found whilst searching in Devon, Somerset and Wiltshire, UK. -
Roman Marble Relief Head of a Goddess
2nd-3rd century A.D.Sold for (Inc. bp): £2,340
From a colossal relief, depicting a life-size head of a goddess or an Amazon with a smooth reverse; pronounced lips and wide brow; the hair arranged in waves leaving the ears partially uncovered, secured with a taenia; mounted on a custom-made display stand. 11.9 kg total, 32 cm including stand
From an English private collection, 1970s-late 1990s. English private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12163-218598
The style is akin to the sculptures of the Severan Age with a naturalistic treatment of the hair, and a more restrained use of the drill. The sculpture displays the same characteristic oval broad face with fleshy round cheeks, widely arched brow and big eyes of the portraits of Julia Domna. The alternative identification of the head as an Amazon can be deduced from the taenia and the details of the tear ducts, linked to a possible representation of a combat scene in which an Amazon suffers in agony after receiving mortal wounds.