Roman Bronze Military Equestrian Pelta Fitting

Of piriform shape, central vertical rib; complete with pin and catchplate to reverse. 3.06 grams 31 mm



Acquired from York Antiques Centre. Accompanied by a certificate of authenticity from Gary Edwards.

For the deposition of ashes (absent), with bulbous body, everted rim and discoid foot, a stylised human face to the upper body expressed with three circular holes for the eyes and mouth, pinched nose in high-relief and raised eyebrows; repaired. 5.13 kg, 34 cm wide



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

Cremation was the usual burial practice in early Roman Britain and whilst it was common for larger ceramic or glass domestic vessels to be reused as cinerary urns, this particular type was created specifically for the purpose and was strongly associated with military contexts in Britain. After death, an individual would have been cremated on a pyre, the ashes gathered once the fire had gone out, and finally placed into the pot. The pot may then have been placed into a small 'tile tomb' buried beneath the ground. The face clearly has symbolic meaning; it may represent the deceased or a god, or may have served an apotropaic function, intended to ward-off evil spirits. The exact meaning of the face would have been clearer when the vessel was in situ alongside other associated burial goods. Although there are similarities in style across the known sample of Roman face pots, each is unique in some way. Face pot finds are concentrated in Colchester in Britain, suggesting a military association, since Camulodunum, 'The 'Fortress of the War God Camulos', was the capital of Roman Britain and Britain's first city. A more robust military connection was established by the archaeologist Gillian Braithwaite, whose survey of thousands of face pot sherds demonstrated that their occurrence spread rapidly though the Roman Empire, from the Black Sea, to Spain, the Mediterranean and Scotland. Braithwaite was able to link the pots to the Roman army and thus explain this phenomenon; as the units moved from province to province, face pots occurred in that region for the first time. The frequency of complete face pots suggests their use as cremation urns.

The coin mounted on 22 carat gold foil, framed with an art print signed by the artist David McAllister, depicting scenes of Roman military activity; limited edition number 152/1150. 1.24 kg, 37.5 x 49.5 cm



Essex gallery, early 2000s.

David McAllister's exciting design is a 'one of a kind' work that portrays the might and riches of the Roman civilisation. This limited edition print is a celebration of the award winning artist's lifetime dedication to historical paintings of the ancient world. To enhance appreciation of this rare and historic work, each individual print is signed and numbered by the artist.