Roman Bronze Hanging Cooking Vessel with Chain

Mould-blown with elliptical body, short neck and thick everted rim, with modelled wrinkles imitating the texture of a dried date. 41.7 grams, 80 mm



Dr Gonik & Me Wirth, Geneva, 1970s. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12394-226935. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Dates were not only a staple of the Mediterranean diet, used to sweeten food and wine, but also a symbol for the New Year and a fruit often given as a gift on the occasion.

Carved in the round with stern facial features, short curly hair and beard with light moustache; the broad brow modelled with characterful creasing, the eyebrows slightly drooping and eyes deep-set, the nose angular and small pinched mouth; possibly an emperor or a tetrarch; possibly retouched in places. 26.5 kg, 27 cm high



Private collection, Europe. Acquired on the European art market, 2002. Private Swiss collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12574-232106. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The portrait, for style and artistic structure, can be compared with the ones of Diocletian and his colleague Maximianus Herculius, and with most of the emperors of the so-called Tetrarchic Period. Like in the portrait of Diocletian and Maximianus, this military man is portrayed with bags under his eyes and with a harsh facial expression. The wrinkles on his forehead and around his mouth show the feelings of a man engaged in difficult times. Stylistically the face presents affinity with the portrait of Diocletian or Maximianus Herculius at the Uffizi (inv.242), some elements also recall the portrait of Decius at the Musei Capitolini (inv.482). We can therefore date the artwork in the period between the second half of the 3rd century and the first decade of the 4th century A.D.

A wide, shallow bowl with gently sloping walls and dimple to base, tubular foot ring; set in a custom-made glazed display case. 3.1 kg total, 44 x 44 cm including box



From the Constable Maxwell collection, given as a gift to a long term employee, with inscription to verso. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12620-235747. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The plate belongs to the category of blown bowls with tubular rim which were used as daily dishes and plates. They are part of a series made in the late 4th century A.D., but continuing an Italic tradition of production of glass vessels of this category existing since the 1st century A.D.