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LOT 0890
Roman Bronze Hand with Snake for God Sabazios
2ND-3RD CENTURY AD.
3 1/8 in. (105 grams, 80 mm).
Hollow-formed right hand with a rivet hole to the socket, holding up thumb and two fingers, a serpent coiled around the wrist with its head resting against the dorsal side of the hand, punched scale detailing to the body.
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of a Surrey, UK, gentleman.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Roman Bronze Standing Horse Statuette
1st-2nd century A.D.Estimate: £500 - 700 (‡+bp*)
Opening Bid: £225
Modelled in the round as a prancing horse standing on a rectangular plinth base; voluminous mane swept to one side and head turned to the left. 80 grams, 60 mm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Vessel Lid with Male Youth Wearing a Chlamys
1st-3rd century A.D.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Discoid base supporting a seated youth with legs crossed wearing a chlamys, his left hand supporting fruit in the folds of the cloth and right hand holding one; base pierced; transverse wire to sides of the head, ring above. 366 grams, 80 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Mosaic with Kantharos and Vines
4th-6th century A.D.Sold for (Inc. bp): £9,100
An attractive rectangular panel of mosaic tesserae with central ribbed kantharos executed in coral pink, amber-yellow, and green segments with tiered foot; issuing from the scaphoid opening two vines with curled tendrils and trefoil leaves in pale green; white field with grey-black border; restored and set into a mid 20th century reinforced mortar matrix. 56 kg, 67.5 x 67.5 cm
Acquired in the 1950s-early 1990s. From the Igor Karmiloff (1925-2016) collection, UN economist and author of Flashbacks, Icons of Impermanence, Bloomington, 2009. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12746-233888. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The motif of the kantharos, krater or amphora with vines emerging from the mouth is widely represented in classical art and was seemingly a popular motif for the mosaicist with examples found in areas as widespread as North Africa and northern Britain. The origins of the motif are probably to be found in the cult of Bacchus (Greek Dionysos) with its ritualised drunkenness expressed in the vine which gives rise to the grapes to be transformed into wine, and the drinking cup from which it is received. In later Roman times, the motif was reinterpreted as Christ (the Eucharist symbolised by the cup) from whom the vine grows representing the spread of the Christian message and the growth of the church (Watts, 1991, p.208).
