Roman Bronze Flying Phallus

Modelled in the round standing erect with right hand on his hip and left arm extending from the elbow resting on the left hip and with fingers curled to hold a staff or handle, wearing a loosely draped cloth over the left shoulder and drawn around the body to hang over the arms; ribbed cuffs to the boots; youthful face with tousled hair and slightly exaggerated lentoid eyes; C-shaped staple beneath the feet for attachment; supplied with a custom-made display stand. 506 grams total, 18.7 cm including stand



with Sotheby’s, Antiquities, London, 6 July 1995, no.130. Acquired by the present owner at the above sale. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12194-222321.

The statue was probably a cult offering and presents an archaic Etruscan hairstyle, being part of the Italic statuettes produced as votive offering to the temples or for private lararia. His warrior status can be confirmed by his boots, typical of Etruscan and Latin warriors of archaic times.

Modelled in the round as a figure of a nude male with legs spread as if bestriding a horse; the bald head tilted an turned towards the right shoulder, with pointed ears, fleshy features and a full beard; a textile covering draped around the right thigh and lower body gathered in the left hand; the legs spread and feet dangling, with later holes for attachment pegs; the right arm extended perpendicular to the body and the hand bent round; the base of the spine with vestigial tail and the cloth draped as if on a horse's rump; mounted on a custom-made stand. 200 grams, 98 mm (362 grams total, 14 cm high including stand)



London art market, 1992.

The figure represents either Silenus himself, the aged and semi-bestial companion of Dionysus, or a Seilenos - a member of the feral group of which he was the leader. The attitude of the figure, with the right arm extended and the head tilted, suggests that there should have been an accompanying female figure to whom Silenus was paying full attention. As a devotee of Dionysus, Silenus is often shown with Bacchantes, female celebrants in the cult of wine-drinking, music and other pleasurable pursuits.

Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand



Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878.

The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.