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LOT 0191
Roman Bronze Figure of Apollo
CIRCA 1ST CENTURY A.D.
7 1/2 in. (700 grams, 19 cm).
Standing nude with a chlamys draped over his left shoulder and fastened on the right shoulder, bearing the weight on his right foot with the left leg bent at the knee with the heel raised; the right arm extended and holding the remains of an attribute, the left arm bent at the elbow; his head turned slightly to the right with long luxurious hair swept back and gathered at the nape of the neck; set on a circular socle base; stripped and repatinated.
ProvenanceAcquired at Mythes ét Légendes, 18 Place des Vosges, Paris, 14 May 1980.
Private collection, France.
Ex Jean Roudillon, Hôtel des Ventes de Belfort SARL, 22 October 2011, no.9.
with Christie's, London, 2 April 2014, no.91.
Accompanied by copies of the relevant Christie's catalogue pages.
Accompanied by a copy of an Art Loss Register certificate no.S0007570.
Accompanied by a copy of French passport no.132675 dated 7 December 2011.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12360-226681.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Rolland, H., Bronzes Antiques de Haute Provence, XVIII supplément à ‘Gallia’, Paris, 1965, no.17, same type without cloak; see also Reinach, S., Répertoire de la statuaire grecque et romaine, Paris, 1897, p.83, nos.3-4, 84, no.8, for the archaic prototypes; for discussion on statuettes of Apollo with patera inside cult places, see Fogolari, G. & Gambacurta, G., Materiali preromani e romani del santuario di Lagole di Calalzo al Museo di Pieve di Cadore (Collezioni e Musei Archeologici del Veneto, 44), Roma, 2001; Bolla, M., ‘Bronzi figurati romani da luoghi di culto dell’Italia settentrionale’ in LANX 20 (2015), pp. 49‐143.
FootnotesThe figurine is of archaic style; it is probably a provincial work of a Gallo-Roman workshop. The prototype can be seen in the Apollo of Naxos in the Berlin Museum. The style of posture and movement can also be seen in the archaic bronzes of Falterona, the Louvre and Athens.
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Large Roman Ring with Nicolo Gemstone
Mid to late 3rd century A.D.Sold for (Inc. bp): £715
Comprising a substantial hoop with angled and fluted shoulders, oval bezel set with a nicolo gemstone. 32.96 grams, 33.36 mm overall, 18.51 mm internal diameter (approximate size British K 1/2, USA 5 1/2, Europe 10.58, Japan 10)
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Roman Legion XIII 'Battle of Munda' Lead Slingshot
1st century B.C.Sold for (Inc. bp): £715
Fusiform with reserved legend 'LXIII' (for LEGIO XIII = 13th Legion). 55.9 grams, 41 mm
Acquired on the UK art market. Property of a gentleman collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The shot (Völling type 1C) is marked with the abbreviated name of Legion XIII, and was probably used at the Battle of Munda (or Monda) against Julius Caesar, 17th March 45 B.C., or against the sons of Pompey, because both the generals (Pompey sons and Caesar) had in their army a Legio with the numeral XIII on that day. Interestingly, other glandes of the same typology from the same battlefield bear the name of Pompey, so that it is much possible that the glans belongs to the Legio XIII of Pompey, who was destroyed during the battle and whose survivors were massacred among the 22,000 defenders of Cordoba by the troops of Caesar (D'Amato, 2021, pp.421 and 424). The projectiles were made of different materials: lead (glandes) or in pottery or stone (lapides missiles). -
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