Loading, please wait...
LOT 0191
Roman Bronze Figure of Apollo
CIRCA 1ST CENTURY A.D.
7 1/2 in. (700 grams, 19 cm).
Standing nude with a chlamys draped over his left shoulder and fastened on the right shoulder, bearing the weight on his right foot with the left leg bent at the knee with the heel raised; the right arm extended and holding the remains of an attribute, the left arm bent at the elbow; his head turned slightly to the right with long luxurious hair swept back and gathered at the nape of the neck; set on a circular socle base; stripped and repatinated.
ProvenanceAcquired at Mythes ét Légendes, 18 Place des Vosges, Paris, 14 May 1980.
Private collection, France.
Ex Jean Roudillon, Hôtel des Ventes de Belfort SARL, 22 October 2011, no.9.
with Christie's, London, 2 April 2014, no.91.
Accompanied by copies of the relevant Christie's catalogue pages.
Accompanied by a copy of an Art Loss Register certificate no.S0007570.
Accompanied by a copy of French passport no.132675 dated 7 December 2011.
Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12360-226681.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Rolland, H., Bronzes Antiques de Haute Provence, XVIII supplément à ‘Gallia’, Paris, 1965, no.17, same type without cloak; see also Reinach, S., Répertoire de la statuaire grecque et romaine, Paris, 1897, p.83, nos.3-4, 84, no.8, for the archaic prototypes; for discussion on statuettes of Apollo with patera inside cult places, see Fogolari, G. & Gambacurta, G., Materiali preromani e romani del santuario di Lagole di Calalzo al Museo di Pieve di Cadore (Collezioni e Musei Archeologici del Veneto, 44), Roma, 2001; Bolla, M., ‘Bronzi figurati romani da luoghi di culto dell’Italia settentrionale’ in LANX 20 (2015), pp. 49‐143.
FootnotesThe figurine is of archaic style; it is probably a provincial work of a Gallo-Roman workshop. The prototype can be seen in the Apollo of Naxos in the Berlin Museum. The style of posture and movement can also be seen in the archaic bronzes of Falterona, the Louvre and Athens.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Mosaic Depicting Nereids and Tritons
Circa 270-350 A.D.Sold for (Inc. bp): £65,000
At the centre of the mosaic a company of three Nereid-nymphs riding across the sea on the back of two fish-tailed Tritons accompanied by a putto; the Nereids covered only by a red-mauve and cerulean cloak (chlamys) with yellow edges, draped around their legs; one of them waving a garment over her head; fourth Nereid dressed in a long green-blue chiton, with yellow collar and fastened at the waist by a red and yellow belt, offering a phiale to a centaur and waving a long cerulean cloak over her head, the centaur grasping the hem of her cloak and holding a snake in his right hand; the fish tails of the Tritons unfolding in elegant spirals on the seabed; Greek inscriptions with the names of the Nereids ΦΕΡΟΙϹΑ (= Ferousa, the ‘carrier’), ΚΥΜω (Kymo, goddess of the waves), (ΕΥΚ) ΡΑΝΤΗ (Eukrante, the Nereid of the successful voyages and fishing) and probably the name of one of the Triton, ΕΥΟΡΜΟΣ (Euormos, ‘safe harbour for mooring’) or a Roman Age contraction of the name of a fourth Nereid, Euarne, 'the well lambed'; some restoration. 53.1 kg, 162 x 151 cm
From the private collection of V. Colin, Belgium, 1960s. with Ariadne Galleries Inc, New York, 2008. Accompanied by a copy of an Art Loss Register certificate no.S00017755, dated 11 September 2008. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a copy of the Art & Antiques article. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12605-230246. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The thiasos theme with marine cycles was very popular in the Hellenistic and Roman times. In the late Roman period, especially in the Greek speaking Eastern provinces of the Empire, the mythological subjects of heroes and goddesses multiplied in the rich villas and public buildings, like basilicas and thermae (public baths). -
Roman Bronze Patera with Handle
1st century B.C.-1st century A.D.Estimate: £600 - 800 (+bp*)
Opening Bid: £300
The bowl with a wide flat bottom and convex sides; the inside with incised concentric circles; flat handle with raised edges and hooked finial for suspension. 483 grams, 39.5 cm
German private collection, Mr O., collecting in the 1950s-1960s; thence by descent. with Bonhams, London, 7 July 2016, lot 191 (£3,000-5,000). Accompanied by an academic report by Dr Raffaele D’Amato. Accompanied by copies of the relevant Bonhams printed catalogue pages (full page). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11735-201189. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
This vessel was part of Roman and provincial bronze instrumentum domesticum, i.e. culinary or domestic utility ware. Such cooking vessels are rare: some are found in central and northern Italy, in Pannonia, Germany and in Britain. The Aylesford Pan, today in the British Museum (inventory no.1886.1112.1), is one of the most important finds. This specimen (Eggers type 130), probably pre-Caesarian or Caesarian, was found in a grave together with a Celtic bucket and a jug. -
Roman Black Glass Bead Necklace String
1st-4th century A.D. and laterSold for (Inc. bp): £59
Restrung group of fusiform, oblate, tubular and other beads. 8 grams, 33.5 cm
Ex London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.