Roman Bronze Eagle on Globe Statuette

Modelled in the round on a circular base with attachment peg; applied feather detailing to the neck, wings and tail. 15.4 grams, 40 mm



Private collection of Mr S.A., Switzerland, 1990s, thence by descent.

Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand. 5.84 kg total, foot: 30 cm wide



German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12176-221443.

The detailed bronze foot with a possible variant of the Greek trochades sandal, known to be a traveller's sandal, is all that remains of the once monumental statue. The trochades was a sturdy traveller's open boot of Greek origin with a flat sole. In the Consular Age it was also used by officers and guardsmen. Roman sandals consisted usually of a leather sole attached to the foot with interlacing thongs.

Modelled in the round as a young beardless warrior hero with muscular body and rounded shoulders; wearing a high-crested pseudo-Attic helmet with a diadem; the hair arranged in orderly locks over his brow; the bent left hand would originally have held a shield and the extended right hand a spear. 278 grams, 13.5 cm high



Ex collection of Dr Djafari (1900-1981), Kaiserslautern, Germany. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11812-206498.

This statue of Mars Gradivus, the marching god of war, was probably a cult offering. The statuette still presents an archaic Etruscan hairstyle, being part of the Italic statuettes of the god produced as votive offering to the temples or for private lararia. A Gallo-Roman period temple dedicated to the cult of Mars with a similar statuette has recently been found in Brittany.