Roman Bronze Double-Axehead Pendant

Comprising: small figure pierced at the middle wit pellet detailing to face and body, legs spread; figure in active pose with slanting stripes across the body, possibly intended for Hercules; probably votives for deposition at a temple. 42 grams total, 30-47 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Cuboid die with five sides bearing incised symbols: ring-and-dot (or theta Θ), 'IV' (for 'four'), saltire (or 'X' for 'ten'), frond with four spurs to each side, similar with one spur to each side. 4.5 grams, 8.7 mm



Found by the Roman fort at Caister, east of Norwich, Norfolk, UK, prior to 1998. Acquired from Richard Gladdle, 9th June 1998. From the important private collection of dice and gaming pieces of Colin Narbeth, London, UK, collection no.42. Accompanied by a Colin Narbeth catalogue identification card. Accompanied by a copy of the relevant Celtic & Roman Artefacts book pages where this object is published.

The conventional Roman dice were made in bone or lead, with dots representing numbers from 1 to 6. Roman dice from the Romano-British settlements are often poorly made and often had opposite sides that do not add up to 7. This dice is unique in the panorama of the Romano-British dice, because the symbols probably represent an alternative to the simple numerical dimples which appear on most dices.

Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)



From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.

Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.