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LOT 0758
Roman Bronze Dolphin Statuette
CIRCA 2ND-3RD CENTURY A.D.
1 3/4 in. (25.4 grams, 44 mm).
Modelled in the round with scale detailing, pellet eyes, rectangular mounting lug. [No Reserve]
ProvenanceProperty of the vendor's grandfather, thence by family descent, circa 1985.
From the private collection of a New York, USA gentleman.
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AUCTIONS:
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Roman Bronze Mars Rider Statuette
2nd-3rd century A.D.Sold for (Inc. bp): £111
Modelled in the round, nude male with legs in straddling pose, left hand thrust forward and right arm raised with hand open; head exaggerated with shoulder-length hair and crested helmet. 35.6 grams, 60 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
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Monumental Roman Bronze Left Hand
Circa 2nd-3rd century A.D.Sold for (Inc. bp): £15,600
Hollow-formed with forefinger extended and bent, thumb in gripping position and other fingers curled around; mounted on a custom-made stand; thumb and forefinger restored. 4.65 kg total, 34 cm (47.5 cm high including stand)
Ex Frits Philips, Eindhoven, Netherlands, before 1980. European private collection, 1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12056-213654. -
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Roman Marble Figure of a Dancing Pan
Circa 2nd century A.D.Sold for (Inc. bp): £5,460
Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)
From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.
Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.
