Roman Bronze Dolphin Statuette

Graduated group of tubular, annular and other beads with later lampwork bead centrepiece. 16.8 grams, 38 cm long



Acquired 1980-2015. Ex Abelita family collection.

Semi-circular with raised and slightly everted edge, the top with a recessed area with a funnel-shaped outlet; for votive offerings within a church; restored. 84.5 kg including backplate, 91 cm wide

In general good condition, re-assembled.

Acquired in the late 1960s or early 1970s. Ex David Read collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12080-214035.

Marble tables such as the present example are called in archaeological terms sigma tables, in consideration of their resemblance to the Greek letter sigma. Sigma-shaped tables appeared in the banquet halls at the end of the 4th century and within Christian buildings from the following century. Most of the undecorated slabs were used as liturgical table tops for feasts to honour the deceased. This commemorative practice was known throughout the late Roman world in west and east, where it continued in the daily life of the citizens of the Eastern Roman Empire. In ecclesiastical settings, circular and sigma-shaped tables were used to collect offerings or for celebrating the agape, more generally as secondary furniture, while the rectangular form was preferred for use as an altar.

Modelled in the round, comprising the lower torso and the goat-legs in vigorous motion, the left raised and bent, right leg straight with the genitals leaning against the length of the thigh, stub of the tail to the reverse; mounted on a custom-made stand. 1.4 kg total, 16.5 cm high (24 cm high including stand)



From the collection of Jan Onderdijk, Belgium, before 1980. Acquired by Mr J.R. an antiquarian in the late 1980s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12022-213655.

Statues of satyrs, relaxing, dancing, and pursuing nymphs proliferated during the third century B.C., as the cult of Dionysus, god of wine and the pleasures it bestows, grew in importance. The Romans appreciated portrayals of Satyrs and Silens, and borrowed them from Greek art, the god Pan being one of the favourite subjects. This statuette is probably a Roman copy from a Hellenistic original, similar to the specimen from the Garimberti collection, where the god, with the left leg firmly planted on the ground and the other leg raised, is carrying a basket of flowers and fruit on his back.