Roman Bronze Dog Chariot Fitting

Comprising an oval cell with an applied suspension loop and three coiled drops below; set with a garnet cabochon engraved with a winged figure of the goddess Victoria (Victory), wearing a plumed helmet and holding arrows in her extended hand; stone cracked. 4.59 grams, 34 mm



Acquired from Royal Athena Gallery. From a major London, UK, collection, 1970s. Ex property of a North London, UK, gentleman. Accompanied by a previous catalogue information slip.

The winged goddess of victory not only represented a specific deity, but for the Romans she was the symbol of Rome's invincibility. She was not only the emperor's permanent companion but his guarantee for his success in military campaigns. For this reason she was frequently represented on monuments, standards and on coins, gems and statuettes.

Formed as a coiled snake with curved tail, hatched lines to the body and stylised facial features. 3.28 grams, 23.25mm overall, 19.74mm internal diameter (approximate size British T, USA 9 1/2, Europe 21.26, Japan 20)



Private collection, UK; formed in the 1980s. Property of a Shropshire private collector.

Modelled in the round in cream-coloured marble; the hips and right leg of a slender male standing beside a column with the lower part of an animal at the base; the figure modelled with narrow hips and waist in contrapposto stance, genitals removed, muscular leg with slender ankle; adjacent column with remains of a branch or spur at the top, developing to a flared base with a crouching hare or rabbit; mounted on a custom-made stand. 101.4 kg total, 99 cm including stand



Ex Paris collection. French gallery, Paris, 1990-2000s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12088-213904.

Despite the loss, the semi-circular rise that separated the ribcage from the abdomen highlights the muscles of a young athlete or a hero. The statue could represent many male heroes or deities (Reinach, 1897, p.210 no.2, 817 no.4), but, by comparison with a similar sculpture in the Brussels Museum, it could refer to a rare image of the handsome and ferocious hunter Hippolytus, son of Theseus and the Amazon Antiope, killed by the curse of his father due to Phaedra’s deception. The presence of the small hare or rabbit at the base of the column could confirm the hypothesis of a hunter hero, and finds its parallel with the small animals (gecko and panther) visible on the Brussels sculpture.