Roman Bronze Distaff with Bird Finial

Carnelian intaglio profile bust of Apollo with hair dressed; set into a later sturdy ring with round-section shank and bezel formed as a cell with flange to the rim and granules flanking the junction with the shank. 9.87 grams, 25.73 mm overall, 20.42 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12221-218651.

Carved architectural element depicting a double herm comprising: a diademed female bust with long wavy hair framing the face, slender features with small mouth and raised lids; the other side with a diademed female with hair arranged in neat curls on the forehead, large eyes and small mouth, taenia shown on each side of the neck; base reworked with drilled sockets for mounting. 12.6 kg, 29 cm high



Old collection, acquired in the 1970s. Acquired by inheritance from Mr N.S. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12084-211893.

The head with elaborately curled hair and diadem could represent Ariadne, as shown by comparisons with a fragment of a two-faced herm with bearded Dionysus and Ariadne preserved in the Antiquarium Ostiense, dated to the lmperial Roman age. The heads could be interpreted either as Ariadne and a Maenad, or as two Maenads being characterised by the diadem and long taeniae. The association of these figures with Dionysus is congruent with the typology of the herm, which refers to rural places and theatres. Numerous herms in fact attest that this type of sculpture was used in contexts linked to Dionysus and his sacred procession as well as, obviously, the representation of Ariadne, his female partner and double. The example fits into the class of domestic sculpture with a decorative function, mostly used to adorn peristyles and viridaria; the type placed at the crown of columns and pillars is quite documented, in particular in the version with the head of Dionysus contrasted with that of Ariadne or a Maenad.

Modelled nude with legs thrust forward, left arm forward from the body, right arm held to the rear with hand forming a fist, diadem to the brow; mounted on a custom-made stand. 71 grams total, 78 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Unlike the British Museum statuette, our figure is represented in the heroic nudity of the warrior on horseback, even if the position is identical. It is very likely that the statuette represents one of the Dioscuri, Castor and Pollux, and perhaps it was part of a pair of twins on horseback.