Roman Bronze Dagger Amulet

The goddess standing in contrapposto pose with her weight on her left leg, her right leg bent and pulled back; wearing an Ionic chiton and himation secured by a characteristic knot tied between her breasts, the folds cascading to the floor; the toes of her left foot emerging from below the flaring hem of her robe; her centre-parted wavy locks locks fastened with a band, pulled back in a chignon at the nape of her neck and surmounted by a tall modius; mounted on a custom-made display stand. 1.22 kg total, 20.5 cm high (28 cm high including stand)



Acquired in Israel, 1990s. Ex Sasson Ancient Art, Jerusalem. with Christie's, New York, 13 December 2013, no.139 (US$ 50,000-$80,000). Accompanied by a copy of the relevant Christie's catalogue pages. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 12017-213617.

These statuettes were used in the service of domestic cults and reflect native Greek or Roman cult practices. The Roman household shrine, or lararium, received its name from the lares, the guardian spirits of the house and household, who were frequently displayed in the shrine, either in painted or sculpted form. This was prevalent in all the corners of the empire, also in the East and in Greece. Studies of bronze statuettes found in Roman provinces have shown how regional variations of lararia figures reflect the mixed religious beliefs of the inhabitants.

Lug handle to rear, deep discus with a dome filling hole, another filling hole to the side; wide shoulder with low-relief laurel wreath; low basal ring and incised maker's mark in Greek letters (ΗΙϹΧΛ). 138 grams, 11.8 cm



Acquired on the European art market, 1980s. English private collection.

This form of lamps is characterised by their shoulder decoration - a laurel wreath. This decoration may be treated realistically or be stylised. Both groups appear on lamps found in Italy. The hypothesis that they might only be African imports is contradicted by the signature on many lamps of L.C A E S A E, a prolific Italic lamp maker (late Antonine and early Severan); his products are scarce in North Africa.

With a solid ellipsoid hoop expanding at the shoulders from the mid 3rd century, with oval bezel set with a blue nicolo gemstone engraved with the figure of standing crowned god Apollo, depicted nude and holding a staff (or lyre?) in his raised right hand, gazing towards his raised left hand. 4.49 grams, 26.13 mm overall, 21.70 mm internal diameter (approximate size British L 1/2, USA 6, Europe 11.87, Japan 11)



From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12005-213036.

The god’s body is depicted in three-quarter view, whereas the head is in full profile. The casual posture of the figure on the gemstone is taken from the common iconography of the god. Apollo is frequently portrayed in this fashion, although often leaning against a small column.