Loading, please wait...
LOT 0755
Roman Bronze Crossbow Brooch
4TH CENTURY A.D.
3 1/4 in. (52 grams, 84 mm).
With onion-knop finials, herringbone detailing to the bow, ring-and-dot motifs and chamfered sections to the foot, hinged pin to the reverse. [No Reserve]
ProvenanceEx German art market, 2000s.
Acquired from an EU collector living in London.
From the collection of Surrey, UK, gentleman.
Cf. Hattatt, R., Brooches of Antiquity, Oxford, 1987, item 1260, for type.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
-
Roman Marble Head of Dionysus
Circa 2nd century A.D.Sold for (Inc. bp): £23,400
From a Greek original, wearing a crown of leaves and corymbs, hair falling in straight lines underneath the diadem; full beard composed of four rows of thick tufts with drilled holes; slightly open mouth with a fleshy lower lip; low cheekbones and hollow cheeks; large almond-shaped eyes with lachrymal duct; mounted on a custom-made display stand. 15.8 kg total, 48 cm high including stand
Ex private French collection, early 1960s. Acquired by the current owner in 2011. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. Accompanied by a copy of a French cultural passport no.129940. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12086-213624.
The head finds comparable parallels with a series of herms representing philosophers, lyricists and the god Hermes, deriving from Greek originals of the 5th century B.C. The reworking of these typologies in a cultured environment is due to the diffusion of sculptures linked to the idea of speculative otium and withdrawal into the bucolic world of which Dionysus was guardian and protector. The typology of the representation associates him with the concept of continuous rebirth and fertility of nature, typical of Dionysus Lenaeus. -
Large Romano-British Bronze Chariot Terret
1st century A.D.Sold for (Inc. bp): £130
From the yoke of a chariot comprising a D-section ring, collar and knop-ended crescents, broad pierced lateral flanges. 365 grams, 16.5 cm
Reputed to have been excavated near Viables in Hampshire at the end of the 19th century. From the estate of the late Jennifer Simmonds. Acquired from Jacobs & Hunt auctioneers, Petersfield, Hampshire, UK. -
.jpg)
Roman Votive Hand to God Sabazios
2nd-3rd century A.D.Sold for (Inc. bp): £910
Hollow-formed right hand from a statuette, with fingers splayed and flat palm, good anatomical detailing. 362 grams, 12.1 cm
Private collection 1990s. Ex London, UK, gallery.
The votive character of the hand could link it to the God Sabazios, often associated with a number of archaeological finds depicting a bronze, right hand in the benedictio latina gesture. The hand appears to have had ritual significance and may have been affixed to a sceptre (as the one carried by Sabazios on a slab, one from Philippopolis, nowadays Plovdiv in Bulgaria). The association with Sabazios is sometimes suggested in similar hands, by the presence of a snake embossed around the circumference of the hand, because the iconic image of the god or hero on horseback battling the chthonic serpent, appears on Celtic-Roman votive columns, and with the coming of Christianity it was easily adapted to the representations of Saint George fighting the Dragon.
