Roman Bronze 'Colchester Type' Bow Brooch Collection

Mould made, solid round handle with two circles, flat shoulder with a shallow row of ovolo motifs, separated from the discus by two shallow circular grooves; side central filling-hole and small air hole on the lower field of discus, decorated with a gladiator raising his right hand; heart-shaped nozzle, base-ring marked by radiating lines. 97 grams, 10.5 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The lamp seems to belong to the Bussiere form DX1, maybe variant a and c. This form groups together lamps with a plain shoulder and a heart-shaped nozzle. In an early variant, D IX 1, the upper curves of the ‘heart’ are nearly on a horizontal level. This is the case for all the African and Italic examples in the Getty collection. Scenes of circus and gladiators are very popular.

Including a foot from a statuette, la Tène style military mount, mosaic glass gaming counter and other items. 124 grams total, 18-43 mm



Property of a Gloucestershire, UK, collector. Property of an East Sussex, UK, gentleman.

Comprising two matching solid hoops with expanding shoulders, each set with a dark blue nicolo intaglio, one bearing a profile bust of a young Hercules, and the other with a profile bust of a woman wearing a taenia or a wreath on her head. 12.83 grams total, 20.25 mm overall, 15.50 mm internal diameter (approximate size British G, USA 3 1/4, Europe 4.92, Japan 4) 20.86 mm overall, 16.35 mm internal diameter (approximate size British H, USA 3 3/4, Europe 6.18, Japan 6)



From the private collection of the late A.B., London, UK; acquired before 1989. Accompanied from an archaeological report of Dr. Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12006-213034.

The iconography here is simple, possibly referring to a married couple, or to important public persons. The 5th century Roman writer Macrobius wrote that the engagement ring was worn on the fourth finger. Legend has it that the vena amoris, literally the ‘vein of love’, ran from the heart to the fourth finger of the left hand. Gemstones and fancy embellishments have been found in Roman rings of every age, although usually for engagement or wedding rings the iconography of clasped hands, symbolising the ‘fides’ among the spouses, was used. Intaglio portraits were engraved into a large variety of stones but nicolo, carnelian and red jasper were generally the most popular for imperial portraits or for the members of the imperial family.