Roman Bronze Coin Hoard Group

With a lug handle and oval elongated body, two central filling-holes flanking the image of a kantharos, enclosed within a decorative shallow border on the shoulders with alternating floral S’s, concentric circles and quatrefoils; two thin concentric circles on the base with letter B in the middle, possibly the potter’s mark. 226 grams, 14.5 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The lamp belongs to the type Atlante X or Hayes II A. The so-called Christian lamps in Terra Sigillata Africana have been classified by Hayes into two major types, I and II. He has distinguished two classes in his type II, according to geographic place of manufacture or origin. Subtype II A group lamps from central Tunisia are characterised by a fine clay, glossy light orange slip, and carefully executed decoration using a great number of neatly drawn shoulder motifs. The kantharos is a fairly common motif in Early Christian imagery, as a container of life giving water.

Displaying a figural scene in relief with an arch decorated with egg-and-dart motifs and resting on smooth pillars with foliate capitals; the upper field dominated by Sol wearing a radiate crown with seven rays and driving a facing quadriga, holding a globe in his left hand; the central field showing the Dioscuri on horseback, raising their right arm in salutation of their divine sister Helen of Troy at the centre, the twin on the left, whose horse is trampling a naked prisoner, followed by an armoured warrior holding an oval shield and spear, wearing a crested helmet in pseudo-Attic style, the twin on the left, whose horse is trampling over a big fish, followed by a character dressed in long garment and raising his hand in salute; the lower field showing worshippers preparing an offering meal; a coiled serpent to each top corner. 132 grams, 80 mm



Acquired in Germany in 2001. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato.

The complex iconography of the plaque relates to the pre-Christian religions of the Lower Danube region. It was concentrated on the figure of Sol Invictus, the sun god, who was often represented driving a quadriga. This cult came from the Near East but spread into the Roman Empire with imperial patronage; symbolism like this was part of the cult of Mithras that was found throughout the empire from Britain (a temple to Mithras can still be seen in the modern City of London) to its eastern coasts in the ancient colonies of Thracia and Dacia, Moesia, Pannonia and Dalmatia. The rest of the plaque shows worshippers (probably the donors of the votive plaque) who are preparing the offering meal, while the riders on horseback, the divine twins Castor and Pollux, evoke the cult of the Danubian rider. Their sister Helen of Troy stands at an altar of Sol like a priestess, representing fertility. As suggested by Aimone, the presence of the two horsemen seems suggest a military context, a connection underlined by the presence of the fully armoured soldier at the left. This iconography was very popular in the Roman Empire and lasted until the 4th century A.D., being also the subject of other artworks, like the fabulous tray in the recently published Wyvern collection (Aimone, 2020, pp.95ff.).

With a later inset jasper cloison, intaglio advancing bull motif. 8.62 grams, 26.05 mm overall, 20.85 mm internal diameter (approximate size British N 1/2, USA 6 3/4, Europe 14.35, Japan 13)



Acquired between the 1960s-early 1990s. From an old UK private collector from Worthing, West Sussex, UK. Property of K.P., a Cornish lady collector, UK.