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LOT 0788
Roman Bronze Brooch Group
1ST CENTURY A.D.
1 1/8 - 4 3/8 in. (39 grams total, 2.9-11.1 cm).
Including P-shaped, T-shaped, La Tène III, and other types. [5, No Reserve]
ProvenanceEx property of an Essex gentleman.
Property of a Scottish collector, acquired in 2013.
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AUCTIONS:
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Roman Bronze Animal Statuette Group
1st-2nd century A.D.Sold for (Inc. bp): £104
Mixed group comprising: three-headed dog, Cerberus, on an ellipsoid base; mouse holding an item of food to its mouth; baying hound with head raised. 60.5 grams total, 29- 35 mm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Roman Horse-Headed Plate Brooch Group
3rd-4th century A.D.Sold for (Inc. bp): £130
Gammadion brooches each with horse-head finials and central ring-and-dot motif. 26 grams total, 37-40 mm
UK art market, acquired prior to 1980. Property of a Scottish collector, acquired in 2013. -
Large Roman Bronze Staff Finial with Bust of Serapis
Circa 2nd century A.D.Estimate: £60,000 - 80,000 (‡+bp*)
Opening Bid: £27,778
With luxuriant long wavy hair and characteristic vertical locks at the forehead, full beard with two large ringlets below the chin, wearing a chiton and a himation draped over the left shoulder, the head surmounted by a corn modius decorated with olive branch in relief, the bust supported on the back of an eagle standing atop an orb with spread wings, the eagle with its head slightly turned to the left, the feathers finely detailed; a finial from a staff or a ceremonial standard. 1.4 kg, 29.5 cm high
Repaired.
Ex private collection, South Germany, 1980. with Gorny and Mosch, Munich, 13 December 2003, no.74. with Christie's, New York, 8 June 2012, no.239 (US $120,000-180,000). Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11789-206489.
The Emperor Septimius Severus (193-211 A.D.) modelled many of his portraits based on Serapis. But it was under Hadrian that the refurbishment of the statue in the Serapeum increased the demand for small-scale images, like this one, probably made during his reign and used atop of a processional sceptre or standard for the cult of the god.
