Roman Bronze Brooch and Other Item Group

Wearing a broad-brimmed petasos with wings above, curls of hair beneath, youthful features. 41 grams, 31 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

Mercury was the god of trade and industry, whose principle shrine in the city of Rome was at the Circus Maximus. Originally he was one of the gods of riches and profit and it was not until he was equated with the Greek Hermes that he became the god of tradesmen and merchants. He was also the god of thieves and was associated with healing mainly in Gaul where he had a number of important temples connected to sacred springs.

Comprising: triangular fragment with raised rim, hindquarters of a lion; irregular fragment of a dish, nude body of a male entwined with tentacles of an octopus; irregular rim fragment with carinated profile and raised outer flange, male figure and large beast (Jonah?) modelled in high-relief. 158 grams total, 6.5-10.5 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand



Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878.

The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.