Roman Bronze Artefact Collection

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble. 104 kg, 110 cm long (120 kg, 117 cm including stand)



Acquired from G. Rihani, 1987. English private collection. Accompanied by a copy of the purchase invoice, 2 July 1987. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12231-218595

The girl shows exotic features, evocative of Roman North Africa, where a mixed Romano-Berber population lived in one of the richest provinces of the Empire. However, the hairstyle refers to those of the Antonine Dynasty, such as the portraits of the Empress Faustina the Elder. It represents probably a sarcophagus lid of a young noble girl, commissioned by her loving parents. Some restorations, today still visible, were done in ancient times: an iron rod at the feet for reinforcement, the armilla on the right arm sculpted at a later stage, the hole in the ear for the insertion of a lost metal or glass earring, the upper part of the head restored in antique with a portion of Parian marble. The sculpture is a Roman work, but it was inspired by a Hellenistic model, probably from Pergamon.

With curving profile, applied raised figures of a lizard, a frog and a turtle to the upper surface with incised detailing. 155 grams, 13 cm



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

Fragments of wall plaster with rendered surface painted red with brown detailing to the edge; impression of timber laths to the reverse. 417 grams total, 5.5-10 cm



Acquired in the 19th century. Ex Jeger collection, Switzerland.

These small fragments, for analogies with the fragments of Pompeii, seems to belong to the second style of Roman painting, red panels representing highlight and shadow, decorated with vegetal interlaces. Some panels were probably framed by a red grenade fillet. A fragment shows alternate blue and red colour over a cream background, maybe pertinent to a socle.