Roman Bronze Artefact Collection

Modelled in the half-round, nude with eyelids half-closed in sleep; a drapery partly covering the head and wrapping around the lower body under the hips; the hairstyle similar to those of the Antonine Dynasty, the peaceful face supported by the hands and the ear pierced to accept an earring; iron reinforcing rod to the feet and the right arm's armilla a later replacement; upper head restored in Parian marble. 104 kg, 110 cm long (120 kg, 117 cm including stand)



Acquired from G. Rihani, 1987. English private collection. Accompanied by a copy of the purchase invoice, 2 July 1987. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12231-218595

The girl shows exotic features, evocative of Roman North Africa, where a mixed Romano-Berber population lived in one of the richest provinces of the Empire. However, the hairstyle refers to those of the Antonine Dynasty, such as the portraits of the Empress Faustina the Elder. It represents probably a sarcophagus lid of a young noble girl, commissioned by her loving parents. Some restorations, today still visible, were done in ancient times: an iron rod at the feet for reinforcement, the armilla on the right arm sculpted at a later stage, the hole in the ear for the insertion of a lost metal or glass earring, the upper part of the head restored in antique with a portion of Parian marble. The sculpture is a Roman work, but it was inspired by a Hellenistic model, probably from Pergamon.

With decorated bow shaped nozzle, large central filling-hole surrounded by a dotted ridge, shoulder decorated by geometric patterns; the handle shaped as a human face representing a head of Christ or a saint. 64 grams, 10 cm



Collected from 1970-1999. From the collection of the late Mr S.M., London, UK.

The lamp seems to be a variant of the type Beit Nattif lamps, usually with pyramidal handle (here substituted by a head of a saint or Christ) and a reddish slip on the upper part. This was the most widespread type of lamps in use in Judaea in the Late Roman Period.

Modelled in the round standing erect with right hand on his hip and left arm extending from the elbow resting on the left hip and with fingers curled to hold a staff or handle, wearing a loosely draped cloth over the left shoulder and drawn around the body to hang over the arms; ribbed cuffs to the boots; youthful face with tousled hair and slightly exaggerated lentoid eyes; C-shaped staple beneath the feet for attachment; supplied with a custom-made display stand. 506 grams total, 18.7 cm including stand



with Sotheby’s, Antiquities, London, 6 July 1995, no.130. Acquired by the present owner at the above sale. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12194-222321.

The statue was probably a cult offering and presents an archaic Etruscan hairstyle, being part of the Italic statuettes produced as votive offering to the temples or for private lararia. His warrior status can be confirmed by his boots, typical of Etruscan and Latin warriors of archaic times.