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LOT 0127
Roman Bronze Apollo Statuette
1ST-2ND CENTURY A.D.
3 1/4 in. (115 grams total, 82 mm including stand).
Modelled in the round standing nude with left foot resting on a pillar, the hair dressed in flowing tresses with top-knot; mounted on a custom-made stand. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Depictions of Apollo in association with the Omphalos usually show him seated upon it, as seen in the coinage of Antigonus I, circa 280-261 B.C.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Bronze Genius Statuette
2nd century A.D.Sold for (Inc. bp): £156
Modelled standing, wearing a loosely draped himation hanging from the right shoulder, the folds gathered at the left forearm raised to support a patera; mounted on a custom-made stand. 118 grams total, 96 mm including stand
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
A genius was a local spirit or supernatural helper whose favour could be requested with a libation or small offering. -
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Roman Terracotta Oil Lamp with Erotic Scene
2nd century A.D.Sold for (Inc. bp): £1,040
With broad discus and short nozzle, low-relief scene with two lovers on a bed. 66 grams, 85 mm
From a London collection of erotica, formerly in the collection of the late Mr S.M., London, UK. -
Stone Minerva Statuette House Altar
Roman, 2nd-4th century A.D. or laterSold for (Inc. bp): £4,160
Square-section with stepped base, gussetted collar and two parallel bars to the upper face; inscribed 'DEAE.MINERV[AE] / LVCIVS.PLAC[IDUS] / VITELLI.FIL[IVS].V[OTUM] / S[OLVIT].L[IBENS].M[ERITO]' (to the goddess Minerva, Lucius Plac[idus] son of Vitellius, discharges the vow freely, as is deserved); the inscription highlighted in crimson. 5.3 kg, 21.2 cm high
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Votive inscriptions follow a set pattern, since they were dedicated to a god or goddess to thank them for something they had done in response to a prayer. The person dedicating the stone would have previously promised to do this if the god answered their prayer. The formulation V.S.L.M. (votum solvit libens [or libenter] merito = in willing fulfilment of a vow) is attested for example at Bath, or on the Arae of the Hadrian's Wall.
