Roman Asclepius Bust Mount

Modelled as a slender man with thick hair and beard, seated and naked with rope binding the hands together at his back; mounted on a custom-made stand. 104 grams total, 51 mm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

An oval garnet cabochon engraved with a horse on a baseline in a dynamic pose with lowered head; set in a possibly Byzantine gold ring with a grooved hoop supporting a box bezel, a pellet to each lower corner. 5.65 grams, 24.27 mm overall, 20.92 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired from London galleries during the 1990s. From the jewellery collection of a London, UK, gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12115-214296.

Carved architectural element depicting a double herm comprising: a diademed female bust with long wavy hair framing the face, slender features with small mouth and raised lids; the other side with a diademed female with hair arranged in neat curls on the forehead, large eyes and small mouth, taenia shown on each side of the neck; base reworked with drilled sockets for mounting. 12.6 kg, 29 cm high



Old collection, acquired in the 1970s. Acquired by inheritance from Mr N.S. Accompanied by an academic report by Dr Marina Mattei and Dr Laura Maria Vigna. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12084-211893.

The head with elaborately curled hair and diadem could represent Ariadne, as shown by comparisons with a fragment of a two-faced herm with bearded Dionysus and Ariadne preserved in the Antiquarium Ostiense, dated to the lmperial Roman age. The heads could be interpreted either as Ariadne and a Maenad, or as two Maenads being characterised by the diadem and long taeniae. The association of these figures with Dionysus is congruent with the typology of the herm, which refers to rural places and theatres. Numerous herms in fact attest that this type of sculpture was used in contexts linked to Dionysus and his sacred procession as well as, obviously, the representation of Ariadne, his female partner and double. The example fits into the class of domestic sculpture with a decorative function, mostly used to adorn peristyles and viridaria; the type placed at the crown of columns and pillars is quite documented, in particular in the version with the head of Dionysus contrasted with that of Ariadne or a Maenad.