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_900x900.jpg "Roman and Other Mixed Bead Group")
_200x200.jpg "Roman and Other Mixed Bead Group")
.jpg "Roman and Other Mixed Bead Group")
LOT 0722
Roman and Other Mixed Bead Group
1ST MILLENNIUM A.D. AND LATER
1/8 - 1 1/8 in. (93 grams total, 3-29 mm).
Comprising a range of bead types in different materials, including decorated examples. [No Reserve]
ProvenanceAcquired on the UK art market.
Property of a Ruislip, UK, gentleman, by inheritance.
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AUCTIONS:
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Roman Bronze Ring with Goddess
2nd-3rd century A.D.Sold for (Inc. bp): £117
With ellipsoid plaque, incuse image of a robed female in profile holding a cornucopia, possibly Fortuna. 7.05 grams, 21.58 mm overall, 16.36 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)
Private collection, England. -
Roman Bronze Key Handle in the Shape of a Hand Holding Fruit
1st-3rd century A.D.Estimate: £700 - 900 (+bp*)
Opening Bid: £350
Formed as a lady's right hand with thumb and forefinger extended to hold a grape; iron shank to the wrist. 157 grams, 10.1 cm
Ex Cambridgeshire, UK, collection, 1990s. -
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Roman Marble Head of a Young Man
2nd-3rd century A.D.Estimate: £3,500 - 4,500 (‡+bp*)
Opening Bid: £1,250
Worked in high-relief with hairstyle typical of the transitional period from the Consulate to the Empire; oval face with a prominent forehead, oval eyelids and clearly defined lines around the eyes; hair arranged in vertical lines combed back from the forehead; pronounced lips, typical rendering of the wide auricles; the lower part of the tunic visible with a well defined round edge around the neck; mounted on a custom-made display stand. 5.94 kg total, 22.5 cm high including stand
Acquired from Gallery Gryphos, Munich, 1992. European private collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11996-211878.
The head was probably pertinent to a series of funerary family portraits. It has realistic modelling of male features, which speaks of a portrait in reduced dimensions or a reference to a well-known person in the environment where it was exhibited. The portrait is worked only on the front, leaving the back, as well as the lower part of the sculpture, roughly treated.
