Roman and Later Lead Weight Collection

Modelled in the round as a figure of a nude male with legs spread as if bestriding a horse; the bald head tilted an turned towards the right shoulder, with pointed ears, fleshy features and a full beard; a textile covering draped around the right thigh and lower body gathered in the left hand; the legs spread and feet dangling, with later holes for attachment pegs; the right arm extended perpendicular to the body and the hand bent round; the base of the spine with vestigial tail and the cloth draped as if on a horse's rump; mounted on a custom-made stand. 200 grams, 98 mm (362 grams total, 14 cm high including stand)



London art market, 1992.

The figure represents either Silenus himself, the aged and semi-bestial companion of Dionysus, or a Seilenos - a member of the feral group of which he was the leader. The attitude of the figure, with the right arm extended and the head tilted, suggests that there should have been an accompanying female figure to whom Silenus was paying full attention. As a devotee of Dionysus, Silenus is often shown with Bacchantes, female celebrants in the cult of wine-drinking, music and other pleasurable pursuits.

With ellipsoid bezel, incuse lion attacking a goat. 3.11 grams, 24.39 mm overall, 20.02 mm internal diameter (approximate size British T, USA 9 1/2, Europe 21.26, Japan 20)



UK private collection before 2000. Acquired on the UK art market. Property of a London gentleman.

Semi-circular with raised and slightly everted edge, the top with a recessed area with a funnel-shaped outlet; for votive offerings within a church; restored. 84.5 kg including backplate, 91 cm wide

In general good condition, re-assembled.

Acquired in the late 1960s or early 1970s. Ex David Read collection. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12080-214035.

Marble tables such as the present example are called in archaeological terms sigma tables, in consideration of their resemblance to the Greek letter sigma. Sigma-shaped tables appeared in the banquet halls at the end of the 4th century and within Christian buildings from the following century. Most of the undecorated slabs were used as liturgical table tops for feasts to honour the deceased. This commemorative practice was known throughout the late Roman world in west and east, where it continued in the daily life of the citizens of the Eastern Roman Empire. In ecclesiastical settings, circular and sigma-shaped tables were used to collect offerings or for celebrating the agape, more generally as secondary furniture, while the rectangular form was preferred for use as an altar.