Roman and Byzantine Bronze Ring Group

Rectangular in profile with drilled spots disposed 1:2, 3:4, 5:6. 27 grams, 31 mm



From the important private collection of dice and gaming pieces of Colin Narbeth, London, UK.

The hoop recessed and decorated with a simple plait formed with three separate rods; granulated pyramids beneath the square bezel framed with a pelletted band, raised setting with a green glass cabochon. 4.69 grams, 22.63 mm overall, 16.86 mm internal diameter (approximate size British M 1/2, USA 6 1/4, Europe 13.09, Japan 12)



Private collection USA. From the Alexander Gallery, New York, USA, in the early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12106-214327.

Previously these rings were generally dated later, however, according to Chadour, the shape is more typical of the 2nd-3rd century A.D. The gem however can also be of later date, because the use of the emerald was more typical of the late empire. The decoration of the shoulders with the plait reminisces Celto-Roman patterns.

Modelled in the round leaping and winged, his right hand reaching above his head seemingly gesturing to retrieve arrows from a quiver once carried on his back, dressed in an exomis tunic leaving him naked below the torso, wearing a helmet or cap and ankle boots. 403 grams, 16 cm high



Acquired in Europe before 1994. Private collection, Europe. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11808-206795.

Often the statues of puttos or amorini (small loves) depicting personifications of Eros were covered with gold leaf. This was a frequent practice and the figures, when represented with wings, were known as chrysopteroi, meaning 'with golden wings'.