Details

LOT 0363

Renaissance Gilt Wooden Octagonal Socle with Paintings of Saints

SOUTH GERMANY, PROBABLY AUGSBURG, CIRCA 1500-1520 A.D.

6 1/2 in. (1.95 kg, 16.5 cm high).

Intended for a religious statue, with foot-shaped recesses to the top face; the left side with a painted polychrome scene comprising Saint Jerome and Saint Ambrose with Saint Michael holding a sword and scales for weighing souls; the right side painted with a scene comprising Saint Gregory the Great, Saint Augustine and Saint John the Evangelist; both scenes set with gilt architectural frame; the reverse with the Holy Spirit depicted as a dove. [No Reserve]

Provenance

Ex Julius Böhler Ltd, Munich, Germany, 2000.
Ex central London gallery.

Accompanied by an academic report by Dr Raffaele D’Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11741-202052.

Literature

Cf. for similar style of painting Cuneo, P.F., ‘The Basilica Cycle of Saint Katherine's Convent: Art and Female Community in Early-Renaissance Augsburg’ in Woman's Art Journal, Vol. 19, No. 1 (Spring - Summer, 1998), pp. 21-25, figs.1-3; see also Christ and Mary as intercessors before God the Father, painting of Hans Holbein the Elder, in Bavarian State Painting Collection, inventory no. L.1507.

Footnotes

The base probably housed a statue of Christ. The painting, although mannerist, reflects the style of the Germanic Renaissance. The saints surrounding the dove are easily recognisable by their attributes. St Jerome as a penitent was often represented in front of a crucifix, next to him the hourglass and the skull, symbolising fleeing time leading to death. St Ambrose is represented with his whip, defending people from the enemies of the faith. St Michael is holding the sword and balance and St Augustine is represented with the child who appeared to him on the seashore admonishing him. Many representations from the Middle Ages show Pope St Gregory the Great (of a noble family and pontiff from 590 to 604) with the Dove of the Holy Spirit perched on his shoulder. St John the Evangelist is represented here according to the golden legend of Jacopo da Varazze, with a snake and a chalice.