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LOT 0415
Renaissance Enamelled Gold Ring with Rubies
17TH CENTURY A.D.
3/4 in. (2.88 grams, 19.66 mm overall, 15.82 mm internal diameter (approximate size British H 1/2, USA 4, Europe 6.81, Japan 6)).
Composed of a slender hoop with decoration to the shoulders, floral bezel set with polished rubies embellished with 'white' and green enamelling; reverse with white and blue enamelled floral design.
ProvenanceFrom the collection of a North American gentleman, formed in the 1990s.
LiteratureCf. The V&A Museum, accession numbers M.17-1929, 857-1871 and M.212-1962, for comparable examples of this period.
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Large Post Medieval 'God a Lone Made us to One' Gold Posy Ring
18th century A.D.Sold for (Inc. bp): £650
Inscribed 'God a lone made us to One WME' around the interior, the initials being M for family name with W for male forename and E for female forename, with maker's mark stamped 'NL' in rectangular cartouche, possibly for the northern goldsmith Nicholas Lee. 5.59 grams, 22.23 mm overall, 19.15 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18)
From the collection of a North American gentleman, formed in the 1990s.
In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty. -
Neoclassical Sardonyx Cameo of Alexander the Great in Silver Ring
Late 19th-early 20th century A.D.Sold for (Inc. bp): £650
With profile bust reserved in high-relief, set into the bezel of a silver finger ring. 11.22 grams, 32.35 mm overall, 20.09 mm internal diameter (approximate size British T 1/2, USA 9 3/4, Europe 21.89, Japan 21)
Acquired by the vendor's father on the UK art market, before 1990. -
Elizabethan Period Ceramic Fire Brick Group
Circa 16th century A.D.Estimate: £120 - 170 (+bp*)
Opening Bid: £48
Each differently sized and displaying a design in relief, including figural scenes, shields flanking a candlestick, scrolling foliage and facing busts within cartouches with elaborate borders. 6.25 kg total, 13.2 -14.2 cm
Acquired 1990s-early 2000s. East Anglian private collection.