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LOT 2094
Post Medieval Weather Vane Finial
18TH-19TH CENTURY A.D.
14 1/8 in. (179 grams, 36 cm).
Featuring a recurved terminal and conoid tip, with screw to one end. [No Reserve]
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
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AUCTIONS:
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LOT 2094
Post Medieval Weather Vane Finial
Estimate £50 - 70€58 - 81 (for guidance only)$68 - 95 (for guidance only)
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Post Medieval Lead Musket Ball Group
Circa 16th-19th century A.D.Sold for (Inc. bp): £13
Composed of shots of different gauges and dates; together with ammunition of a different type. 2.46 kg total, 8-57 mm (22 x 12 cm including box)
Acquired 1990s-early 2000s. East Anglian private collection. -
Post Medieval Dutch Glazed Ceramic Tile Group
Circa 17th-18th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £40
Displaying various designs in blue and white glaze, including insects visiting flowers and floral displays in various styles, including some single plants. 5.3 kg total, 12 x 12.5 - 13 x 13 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
Egyptian Temple of Abu Simbel by J. W. Cox
Dated 1932 A.D.Sold for (Inc. bp): £52
Signed in the bottom right corner of the watercolour; framed and glazed with loops for suspension to the reverse. 1.65 kgs, 40.4 cm
Ex Albert Ward collection, Essex, UK.
J.W.S. Cox (1911-1982) was an American watercolourist renowned for developing the wet-on-wet painting technique. He grew up in New York, where he avidly sketched landscapes from an early age. The artist graduated from Pratt Institute NYC in 1933 and worked various jobs through the Great Depression. In 1936, he studied at the Acadamie Colarossie in Paris, and with Fauvist Othon Friesz for a short time, although later dismissed the Fauvist style as 'sloppy'. He went on to teach watercolour painting to students at Boston University, founding a studio on Bearskin Neck, Rockport, where he developed his 'sponge painting' and palette-knife techniques. He painted with an individualistic style, becoming a member of the Boston Watercolour Society. Cox shunned publicity as he believed it robbed him of painting time and turned down membership to the National Academy because he 'wouldn't play the game'. A Renaissance man, Cox spoke 12 languages with a goal to present himself 'and the soul of nature as truthfully and with as much inspiration, vitality and freshness as is possible, through the medium of watercolour'. He died of a heart attack in Florida in 1982.