Post Medieval Silver Pendant with Calligraphic Stone

A substantial ring with a box-shaped bezel set with a table-cut red spinel of deep purplish-red hue, the reverse of the bezel convex with chamfered ends. 6.93 grams, 24.30 mm overall, 17.05 mm internal diameter (approximate size British M 1/2 , USA 6 1/4, Europe 13.09, Japan 12)



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12996-245986.

The box bezel is typical of both Spanish and Islamic goldsmithing traditions. The small pointed projection at the rear of the hoop, however, is not a common feature in Spanish rings but is a distinctive hallmark of Islamic goldwork — a form ultimately rooted in Middle Eastern traditions of the Sasanian, Fatimid, and Mamluk periods. This detail likely reached Spain through the transmission of techniques from the Middle East into Islamic North Africa, and subsequently into the goldsmithing repertoire of al-Andalus. These forms were adapted by Spanish goldsmiths to accommodate the tastes of a Christian clientele, reflecting the deep and enduring influence of Islamic craftsmanship in post-Reconquista Spain.

Comprising: red hardstone weight with incuse bird image to underside; carved agate weight; serpentine bead in the form of a frog. 59 grams total, 30-33 mm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

A slightly domed mount modelled as a side profile of a youthful lady wearing a hoop earring, head pulled to a low chignon at the nape of the neck and secured by a band of flowers. 58.2 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.