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LOT 1965
Post Medieval Silver Pendant with Calligraphic Stone
19TH CENTURY A.D.
1 3/8 in. (15.6 grams, 37 mm).
Carnelian intaglio with Arabic inscription, set in a silver pendant with vegetal borders, the reverse with a regardant doe.
ProvenancePrivate collection, London.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Roman Style Gold Earring Pair with Garnets
20th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Each a triangular plaque with filigree border, central cell with inset garnet cabochon surrounded by applied filigree annulets, transverse bar below with discoid dangles. 4.04 grams total, 49 mm
with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016. -
Russian Orthodox Enamelled Bronze Travel Icon with Saint Antipas of Pergamum
19th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Representing Saint Antipas with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion; the Mandylion at the centre above the saint, Saint Mary on the left panel and Jesus on the right; Old Slavic inscription around the figures: 'ΙC ΧΡ' (Jesus Christ); 'ΜΡ ϴΥ'(Mother of God); Saint Antipas of Pergamum (Св Анти́па Перга́мский). 238 grams, 11.3 cm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon features meticulous craftsmanship typical of Orthodox iconography. Saint Antipas was popularly held to be a healer of tooth problems. He was martyred by burning in a brazen bull-shaped altar under the Emperors Nero or Domitian. -
Icon with Riza of Entrance to Jerusalem
20th century A.D.Sold for (Inc. bp): £39
Painted on a wooden board and covered with a brass riza, with mounting panel to the reverse, depicting the entrance of Christ in Jerusalem on Palm Sunday riding a donkey; crowd within the city wall; followers of Christ in the gateway; Christ with golden nimbus and letters 'ω', 'C' reversed and 'Н'; Greek script title above reciting: 'Η ΒΑΙΦΟΡΟC (Βαϊοφόρος)' (the one who is riding the mule); the background with rocks, tree and the walls of Jerusalem; arabesque decoration to the borders and corners; accompanied by a wooden stand. 762 grams total including stand, Icon: 30.5 x 22.5 cm
Ex David Miller, Hemel Hempstead, London, UK. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The scene represents a well-known part of the Gospels that describe the entry of Jesus into Jerusalem. He makes a grand entrance into the city on a donkey to fulfil the prophecy of Zechariah, “Tell the city of Zion, look, your king is coming to you! He is humble and rides on a donkey and on a colt, the foal of a donkey.” The scene is synthetized in the Greek expression ‘Βαϊοφόρος'.
