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LOT 0419
Post Medieval Opus Anglicanum Embroidery
ENGLAND, 18TH CENTURY A.D.
15 1/4 in. (2.75 kg, 38.7 cm).
Preserved as the binding for a 'book of common prayers, and administration of the sacraments', in an embroidered stumpwork binding, the front cover showing Saint Anne, Mary and the Child, the back cover with a large floral design; the folio text with some handwritten amendations, title page printed in red and black. [No Reserve]
ProvenanceEmil Offenbacher and Cornelius J. Hauck, with his ex libris beneath an elaborate hand-coloured early armorial bookplate.
Ex Cultured Oyster Books, 2007.
Ex central London gallery.
Accompanied by a previous catalogue page, listed as no.10.
See Leonard, S., Durrant, H., ‘Stumpwork, Past & Present’ in Embroidery through the ages, Costume & Textile Association, 20th Anniversary Issue, November 2009, pp.10-12, for discussion on stumpwork.
FootnotesStumpwork is sometimes called 'raised work' and is an embroidery style in which the stitched figures are raised from the surface creating a three-dimensional effect. Historically, this type of embroidery, here probably made for an ecclesiastical vestment, was employed to decorated a variety of secular household artefacts and reached its greatest popularity by the second half of the 17th century A.D. Embroidered folio bindings are fairly uncommon.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Silver-Gilt Dress Hook Fastener
16th century A.D.Estimate: £150 - 200 (+bp*)
Opening Bid: £80
Comprising a plate of three lobes with slotted bar to the reverse and substantial hook above, three domes to the obverse each with loops of filigree enclosing a group of three annulets and a granule, large floral element to the centre. 7.3 grams, 27 mm
Fine condition.
Acquired in London in 1990. Property of a Kent gentleman. -
Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,667
Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced. -
Amethyst Bead Necklace
20th century A.D.Sold for (Inc. bp): £46
Composed of facetted amethyst beads; hook-and-eye clasp. 90 grams, 48 cm long
Ex W.J. collection, 1990s.
