Post Medieval Madonna Pipe Clay Figure

Including decorative examples displaying lion heads; rosettes and geometric motifs, together with other designs; remains of foam mounting backing to reverses. 28.5 grams total, 18-62 mm



Found Thames foreshore spoil, 1980s.

Mary cradling the infant Christ, Greek text in the field with inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' over the Child's head; to the right a Greek inscription 'ΟΔΙΓΗΤΡΙΑ' (Odighitria); some restoration; a handwritten inscription and a cross to the reverse in Greek, reading 'Eufemia Papadimitriou - born on March, 30, 1932, on Thursday, at the 5.00 p.m.; Vasilios Papadimitriou - born on March, 15, 1934, on Thursday, at the 3.00 p.m.' 614 grams, 29 cm

The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permthrin, as a precaution.

Ex French gallery, Paris.

The icon belongs to the category of Virgin 'Galaktotrophousa' (Γαλακτοτροφουσα, meaning “the Milk-Giver”) celebrated on third July, and showing Mary breast-feeding Jesus. The ancient typology dates from the 6th century A.D. and resided in St. Sabbas’ lavra (a type of monastic community).

Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.

Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.