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LOT 0406
Post Medieval Gold 'Thy Faith Favls Not' Decorated Posy Ring
17TH-18TH CENTURY A.D.
5/8 in. (1.20 grams, 16.93 mm overall, 14.95 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)).
Displaying a circumferential band of six-armed stars to the exterior with some remains of enamelling to the fields; the interior inscribed 'THY + FAITH + FAVLS + NOT' (possibly: thy faith fails/false not). [No Reserve]
ProvenanceAcquired on the UK antiques market between 1974-1985.
Albert Ward collection, Essex, UK.
Cf. The British Museum's Portable Antiquities Scheme, record id. SWYOR-FA9028, for a ring with the same exterior design, dated 16th-17th century A.D. and record id. WMID-C2D522, for an example of the use of 'favls' to mean 'false'.
FootnotesIn the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.
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AUCTIONS:
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LOT 0406
Post Medieval Gold 'Thy Faith Favls Not' Decorated Posy Ring
Sold for (Inc. bp): £780
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Georgian Painted Wooden Police Truncheon
1820-1830 A.D.Sold for (Inc. bp): £169
The ribbed handle pierced for suspension; gilt G.R initials with IIII above for George IV and crowned royal arms with portcullis below, possibly for Westminster, in polychrome and gilt. 310 grams, 47 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
Post Medieval 'Thames' Glass Poison Bottle Group
16th-17th century A.D.Sold for (Inc. bp): £156
Comprising two glass bottles: one with a rounded cuboid-shaped body, slender neck, everted rim and remains of iridescent surfaces; one cylindrical bottle with short neck and broad everted rim. 58 grams total, 41-58 mm
Found Thames foreshore spoil, 1980s. -
Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,667
Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced.