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LOT 2044
Post Medieval Glazed Ceramic Tile Group
17TH-18TH CENTURY A.D.
3 1/2 x 4 - 3 3/4 x 4 in. (1.25 kg total, 9.2 x 10.2 - 9.5 x 10.2 cm).
Comprising two designs in relief including three horses in an enclosure and two animals, likely cats, fighting; coloured glazes. [10]
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
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AUCTIONS:
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LOT 2044
Post Medieval Glazed Ceramic Tile Group
Estimate £100 - 140€120 - 160 (for guidance only)$140 - 190 (for guidance only)
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Bactrian Gold Love Ring with Turquoise Hearts
Late 19th-early 20th century A.D. or earlierSold for (Inc. bp): £618
Composed of a gold centre with expanding bezel, central oval turquoise cabochon flanked by heart-shaped stones, all with gold settings against a horn or lignum vitae field. 3.40 grams, 20.99 mm overall, 14.89 mm internal diameter (approximate size British G 1/2, USA 3 1/2, Europe 5.55, Japan 5)
Swiss art market, 1996. -
Baroque Gold, Ruby and Enamel Ring
Circa 1620-1640 A.D.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,667
Composed of a slender hoop, expanding shoulders decorated with white enamelled foliage and black enamelled pea-pod ornament, repeated around the bezel, bezel with box setting holding a table-cut ruby, white and black enamelled floral design to the underside; minor loss of enamel; likely from France; accompanied by a 'Les Enluminures' hinged presentation box. 4.57 grams, 23.32 mm overall, 18.77 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)
Acquired from Les Enluminures Ltd, Illinois, USA, 2016. Property of an East Sussex collector. Accompanied by a Les Enluminures certificate of authenticity. Accompanied by a copy of the Les Enluminures invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11671-197579.
Over the centuries, the ruby became a symbol of the amorous heart and a popular gemstone for betrothal or wedding rings in Western Europe. This gemstone was believed to symbolise the virtues of marriage and convey the desire for eternal matrimonial love. The ruby-red colour was often enhanced by setting the stone on top of a foil. The stones themselves were imported from as far afield as Thailand, Burma and Sri Lanka. Old inventories record them as 'balas rubies', which were sourced to decorate royal crowns. In the 17th century, the red colour was set-off by the pastel shades of satin which were fashionable in dress at the court of King Louis VIII, where the art of enamelling was also practiced. -
Post Medieval Brass Crucifix
19th century A.D.Sold for (Inc. bp): £20
Set on a free-standing base with hollow reverse, skull and crossed bone and floral detailing to the cross and worn INRI lettering. 392 grams, 31.5 cm high
Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.
