Post Medieval Glazed Ceramic Tile Group

Composed of a slender convex hoop engraved with crowned conjoined hearts flanked by birds, in turn pursued by bounding hounds, scrolling foliage and a cross at base; trace remains of enamelling; interior inscribed in cursive script: 'No felicitie to constancie', together with maker's stamp 'IY' in a square cartouche. 1.38 grams, 17.35 mm overall, 15.48 mm internal diameter (approximate size British J, USA 4 3/4, Europe 8.69, Japan 8)



Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.

IY goldsmith's mark possibly for James Young of London, see Jackson, Sir C.J., English Goldsmiths and Their Marks, London, 1921, p.215. In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.

Set with a central cut and polished topaz surrounded by five cut rubies and five cut emeralds with good colour; catchplate remaining to reverse. 5.27 grams, 23 mm



From the private collection of an Epping, UK, gentleman. Accompanied by an original valuation by Henry Little & Son, Lancaster, dated 22 April 1974 (£400). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201206.

Mary cradling the infant Christ, Greek text in the field with inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' over the Child's head; to the right a Greek inscription 'ΟΔΙΓΗΤΡΙΑ' (Odighitria); some restoration; a handwritten inscription and a cross to the reverse in Greek, reading 'Eufemia Papadimitriou - born on March, 30, 1932, on Thursday, at the 5.00 p.m.; Vasilios Papadimitriou - born on March, 15, 1934, on Thursday, at the 3.00 p.m.' 614 grams, 29 cm

The timber shows some old insect flight holes and we are advised that this piece has been recently treated with Permthrin, as a precaution.

Ex French gallery, Paris.

The icon belongs to the category of Virgin 'Galaktotrophousa' (Γαλακτοτροφουσα, meaning “the Milk-Giver”) celebrated on third July, and showing Mary breast-feeding Jesus. The ancient typology dates from the 6th century A.D. and resided in St. Sabbas’ lavra (a type of monastic community).