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LOT 2081
Post Medieval Glazed Ceramic Bird Whistle
18TH CENTURY A.D.
3 3/4 in. (80 grams, 95 mm).
Possibly in the form of a hen or other bird with crest, with feather detailing; chip to beak. [No Reserve]
ProvenanceAcquired 1960s-1990s.
Late Alison Barker collection, a retired London barrister.
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AUCTIONS:
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Post Medieval Bronze Seal Matrix Group
Circa 16th-17th century A.D.Sold for (Inc. bp): £104
Comprising: one bronze with trefoil head, motif of three arrows; one bronze with trefoil head, motif of EC initials; one silver with trefoil head, motif of standing figure with bow; one bronze with trefoil head, motif of seven stars; one bronze, motif of eye, heart and arrows; the latter accompanied by an impression. 22 grams total, 16-30 mm
Acquired before 1990. Property of a Hampshire, UK, gentleman. -
Post Medieval 'Thames' Decorated China Marble Collection
19th century A.D.Sold for (Inc. bp): £13
A group of variously sized, unglazed bisque marbles decorated with polychrome plaid-like geometric rings and marbling/crazy pattern effect. 28 grams, 1.2 mm - 1.8 cm
Found Billingsgate spoil from the Thames foreshore, London, UK. -
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Russian Gilt Painted Wooden Icon of Hodegetria
Circa 19th century A.D.Sold for (Inc. bp): £152
The Virgin holding the infant Christ, gesturing towards him with her right hand, wearing a carmine red maphorion embellished with golden pearled embroidery, elaborate cuffs and neckline to the himation; Christ making the blessing sign with his hand, the green chiton and orange himation embellished with red folds; both figures nimbate within a shallow recess and framed by a red border, inscription 'ΜΡ ΘΥ' for 'Mother of God' flanking the Virgin's halo, 'IC XC' for 'Jesus Christ' over the Child’s head; winged nimbate ‘Angel of God’ and nimbate Saint Matrona in rectangular panels on either side; split and repaired. 896 grams, 31.2 cm
Ex French gallery, Paris.
For the Orthodox believers, the Mother of God (Theotokos) carries a special meaning. The believers relate to her as a mother who suffered and lived through the death of her son, a figure not only of love and compassion, but also of fortitude and sacrifice.
