Post Medieval Glazed Bellarmine Ceramic Jar

Slender carinated hoop with splayed shoulders and chased ornament, tiered rectangular bezel displaying stylised petals, scalloping above, set with cut and polished emerald inlay. 4.75 grams, 23.84 mm overall, 18.95 mm internal diameter (approximate size British P, USA 7 1/2, Europe 16.23, Japan 15)



Acquired 1990s-early 2000s. East Anglian private collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.201078.

Composed of a carinated outer face and inscription to interior in cursive script: 'Hearts content cannot repent' followed by a maker's stamp formed as florid a letter 'I' within a rectangular cartouche. 6.54 grams, 21.46 mm overall, 17.32 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)



Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.

In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.

Mainly comprising blue and white glazed tiles displaying floral compositions and insects visiting shrubs and flowers. 5.2 kg total, 12 x 13.3 - 13 x 13 cm



Acquired 1990s-early 2000s. East Anglian private collection.