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LOT 2120
Post Medieval Glazed Bellarmine Ceramic Jar
LATE 16TH CENTURY A.D.
12 3/4 in. (3.44 kg, 32.5 cm high).
Of piriform shape, raised medallion displaying male bust in profile right to shoulder on two faces; damaged and repaired.
ProvenanceAcquired 1960s-1990s.
Late Alison Barker collection, a retired London barrister.
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AUCTIONS:
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LOT 2120
Post Medieval Glazed Bellarmine Ceramic Jar
Estimate £250 - 350€290 - 410 (for guidance only)$340 - 470 (for guidance only)
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Post Medieval Dutch Ceramic Tiles with Boating Scene
Circa 17th-18th century A.D.Sold for (Inc. bp): £104
Mauve-glazed and depicting a couple in a boat on a lake, a duck in the water. 548 grams total, 13 x 13 cm each
Acquired 1990s-early 2000s. East Anglian private collection. -
Tudor Period Silver Filigree Mount
Circa 16th century A.D.Sold for (Inc. bp): £26
Composed of a domed face adorned with graduated granules and large apex granule encircled by filigree collars, lozenge petals and filigree spirals. 3.12 grams, 23 mm
From the collection of a North American gentleman, formed in the 1990s. -
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German Gilt Wooden Transfiguration Icon
19th-20th century A.D.Estimate: £800 - 1,000 (+bp*)
Opening Bid: £444
In 13th century A.D. style, Jesus represented in the centre in blue and white light, with shining clothes; to his right Moses, to his left Elijah; the mountain of Tabor represented in rocky fragments below, the disciples John, his brother James and Saint Peter in awe and terrified by the divine event; remains of a wax seal impression to reverse, together with a loop for suspension. 783 grams, 30 cm
Ex French gallery, Paris.
The icon was realised following the tradition of the Novgorod school of 13th century A.D. A mandorla of blue and white light was usually used in most oriental icons. Not all icons of Christ have mandorlas and they are often used when representing divine light. The mandorla thus represents the ‘uncreated light’ that shines on the three disciples in the icons of Transfiguration. During the Feast of Transfiguration, the Orthodox sing a troparion which states that the disciples 'beheld the light as far as they were able to see it' signifying the different levels of their spiritual progress. Sometimes a star is superimposed on the mandorla, but here the stars are are impressed all around the edge. The mandorla represents the 'luminous cloud' and is another symbol of light. The luminous cloud, a sign of the Holy Spirit, descended on the mountain at the moment of the Transfiguration.
