Post Medieval Dutch Glazed Ceramic Tiles

Each composed of a stem with wooden handle and tapering white metal stem with bulbous collar, all ornamented with repoussé floral and foliate tendrils and seraphims; the bifacial discoid heads with scalloped circumferences, each with five domed bosses and displaying seraphims and stars within pellet and bead borders; lettering to heads and collars; each mounted on a custom-made display stand. 3.45 kgs total, 64.2 cm each including base



with Boisgirard, 28 November 2013, lot 138. Ex central London gallery. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.202063.

The shape and decorative scheme of these liturgical fans has existed since at least the 8th century A.D. These fans were likely crafted as souvenirs for pilgrims returning from Jerusalem, or for them to bring to Jerusalem as homage to the church. Seraphim are the highest-ranking angels in the traditional hierarchy, and as such are closest to God.

Preserved as the binding for a 'book of common prayers, and administration of the sacraments', in an embroidered stumpwork binding, the front cover showing Saint Anne, Mary and the Child, the back cover with a large floral design; the folio text with some handwritten amendations, title page printed in red and black. 2.75 kg, 38.7 cm



Emil Offenbacher and Cornelius J. Hauck, with his ex libris beneath an elaborate hand-coloured early armorial bookplate. Ex Cultured Oyster Books, 2007. Ex central London gallery. Accompanied by a previous catalogue page, listed as no.10.

Stumpwork is sometimes called 'raised work' and is an embroidery style in which the stitched figures are raised from the surface creating a three-dimensional effect. Historically, this type of embroidery, here probably made for an ecclesiastical vestment, was employed to decorated a variety of secular household artefacts and reached its greatest popularity by the second half of the 17th century A.D. Embroidered folio bindings are fairly uncommon.

Comprising a folded length of thin leather or vellum, with lines of Ge'ez text in black and red ink, coloured figural illuminations at the top depicting the winged Archangel Michael brandishing a sword, wearing a richly decorated lembd as a covering cloak. 32 grams, 35 cm



Stephen Keynes collection (1927-2017). Ex central London gallery.

Ethiopian phylacteries or parchment scrolls combined apotropaic prayers and images. These ‘magic scrolls’ utilise only a few designs that derive from Christian imagery, namely the holy rider, the sword-bearing angel Michael, and the cross. Here the text asks intervention and protection from Saint Michael, commander of the heavenly Host. Interestingly, the accoutrement of the Angel reflects that of the military Ethiopian elite in 19th century A.D.