Post Medieval Crotal Bell Collection

Comprising: red hardstone weight with incuse bird image to underside; carved agate weight; serpentine bead in the form of a frog. 59 grams total, 30-33 mm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Drum-shaped pan with ring to the equator and three curved legs, square loops to the rim, domed lid with three loops; dense low-relief cloud pattern. 2.66 kg, 25.5 cm wide



Ex West Country, UK, collection, 1990s, and Desmond Morris. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Representing the subject of the advocation of Virgin Mary, depicted as a haloed robed woman, standing with her arms extended outwards, figures kneeling at her side, Greek inscription 'ΜΡ ϴΥ’ (Mother of God) above; the other panels with the entrance of Christ in Jerusalem (top left); the Presentation to the Temple (bottom left); the Resurrection (top right) and the Ascension (bottom right); Cyrillic inscriptions over each of the scenes; on the crest and finial, the Trinity (three angels with cups) flanked by Cherubins, the Mandylion above. 85 grams, 90 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon represents the Intercession of Mary, 'Joy of all who sorrow'. It formed the central part of a triptych with the Mother of God at the centre, surmounted by iconography of veneration. The other parts of the triptych are embossed with scenes of the lives of Christ.